The Wind Cover Image

The Wind: SSA Choral Octavo

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The Wind Cover Image

The Wind: SSA Choral Octavo

Music by Ruth Elaine Schram

Item: 00-19216

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Description
New for SATB and SSA! Formerly available only in a 2-part edition, this year-round concert work has been adapted by the composer for mixed and treble voices. "The wind knows where it wants to go, it knows no boundary." Like the wind, the melody is ever moving, changing, but the underlying harmonies support the lyrical movement. Great for developing your choir's phrasing and musicality. A sensitive, yet not difficult work, appropriate throughout the concert year.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081178615
SKU: 00-19216

More about this title

About the Composer: Ruth Elaine Schram

Ruth Elaine Schram has built a reputation as a composer whose work balances accessibility with genuine musical substance. Her compositions for choral ensembles are known for their lyrical sensibility and attention to the voice, making them practical choices for school and community choirs without sacrificing artistic integrity.

Schram's output reflects a deep understanding of what singers need: clear harmonic support, grateful ranges, and text settings that honor both the music and the words. Her willingness to adapt existing works for different voicings, as with The Wind, demonstrates her commitment to making quality literature available across the full range of ensemble configurations.

Why we love this

The emotional restraint here sets it apart from more sentimental treatments of similar themes. Schram trusts the imagery and the singers' musicality to carry the piece, which means every phrase choice feels earned rather than imposed. Programming this alongside more dramatic work gives your concert breathing room and shows your singers' range as musicians.

What to expect

Meditative and flowing, like watching wind patterns you can't quite predict but can clearly feel. The melodies have an almost conversational quality, bending and turning with thought rather than following rigid phrases, while the harmonies underneath provide enough stability that singers never feel lost.

Who it's for

Treble choirs and upper-level high school programs looking for repertoire that develops musicianship without demanding virtuosity. This works equally well for community choirs, church ensembles, and adult singing groups that value songs with lyrical substance and poetic restraint.

How to get the most out of it

  • Shape the melody through its constant motion by thinking of it as a continuous line rather than phrase-by-phrase units. Let the underlying harmonies give you structural signposts rather than obvious breath points.
  • Blend the SSA voicing from the beginning of rehearsals. With three soprano parts, balance between them matters; the melody should never sound isolated or thin.
  • Keep the tempo conversational and unhurried. A piece about wind that knows no boundaries loses its character if it feels rushed or mechanical.
  • Layer in vowel consistency last, after singers understand the harmonic function of their part. This helps them hear how their individual line contributes to the whole.

How to use it

This is ideal as the centerpiece of a concert section exploring nature or metaphor in choral music. Its eight pages and moderate difficulty make it a solid choice for mid-concert placement, where it can calm the energy after something more energetic without putting your audience to sleep. It also sits well in a mixed program between pop and classical selections because of its artistic authenticity.

Skills your students will build

  • Maintaining legit phrasing across moving melodic lines
  • Balancing multiple soprano parts within a single voicing
  • Harmonic listening and awareness of chord function
  • Shaping lyrical phrases without over-sentimentality
  • Text declamation that serves metaphorical meaning

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