The Water Is Wide Cover Image

The Water Is Wide: Flute & Keyboard Part(s)

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The Water Is Wide Cover Image

The Water Is Wide: Flute & Keyboard Part(s)

Traditional / arr. Matt Neufeld

Level: Medium

Item: 81-F2765

$6.00
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Description
Folk songs have always had a special place in music. Pleasing melodies, singable lyrics, and a lasting message are some of the factors that make folk songs endure, and the English folk song The Water Is Wide (also known as O Waly, Waly) is no exception. Dating to the seventeenth century, The Water Is Wide has been a consistently popular folk song due to its bittersweet lyrics and poignant melody. The Water Is Wide has been recorded in many ways, by many artists, including famous Irish tenor Anthony Kearns, as well as Bob Dylan and James Taylor.
This arrangement of The Water Is Wide features a simple melody in the flute that evolves as the piece progresses, and an interesting piano part that is full of lush harmonies. This folk song is ideal for use at a competition, as a concert or recital piece, or at church.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-151-8
ISBN13: 978-1-55473-151-0
UPC: 685462006434
SKU: 81-F2765
Instrumentation: Flute & Keyboard

More about this title

Why we love this

Neufeld's arrangement respects the song's intrinsic beauty while giving both flutist and pianist meaningful material. The flute line evolves naturally across the piece, avoiding the trap of static repetition that weakens many folk song arrangements, and the piano part transforms from simple support into a genuine partner with harmonic depth.

What to expect

The Water Is Wide unfolds with a quiet longing. The familiar melody grounds listeners immediately, while the piano's deepening harmonies add emotional complexity, creating the sense of a simple story told with newfound depth and reflection.

Who it's for

Intermediate flutists preparing for competitions, recitals, or church performances will find this arrangement manageable yet musically substantial. The piece suits players who want to expand beyond purely classical solo repertoire while maintaining technical accessibility.

How to get the most out of it

  • Shape the flute melody with long, connected phrases that honor the song's narrative arc. Let the opening simplicity breathe before adding expressiveness as the arrangement develops.
  • Balance the flute and keyboard so the melody remains clear without drowning out the piano's harmonic colors, especially in passages where the accompaniment becomes more elaborate.
  • Approach the bittersweet character with restraint. The poignancy comes from the melody itself, not from excessive vibrato or sentimentality.

How to use it

This arrangement fits naturally into recitals that mix classical and traditional music, or as a poignant closing piece for a concert program. Its modest technical demands and strong emotional appeal make it equally at home in a competition setting or a church service where folk spirituals are featured.

Skills your students will build

  • phrasing long melodic lines with intentional breathing points
  • balance and blend in flute-keyboard partnership
  • interpretive choices that respect a song's historical roots while adding personal expression
  • sustained tone control and dynamic control across the full range

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