The Water Is Wide: SSA Choral Octavo
American Folk Song / arr. Jay Althouse
Item: 00-PO-0000914
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
The Water Is Wide: PianoTrax Digital Download |
$9.99
|
View | |
The Water Is Wide: SATB Choral Octavo |
$1.80
|
View | |
The Water Is Wide: SAB Choral Octavo |
$1.80
|
View | |
The Water Is Wide: 2-Part Choral Octavo |
$1.80
|
View | |
The Water Is Wide: SATB Choral Octavo |
$1.80
|
View | |
The Water Is Wide: SAB Choral Octavo |
$1.80
|
View | |
The Water Is Wide: SSA Choral Octavo |
$1.80
|
View | |
The Water Is Wide: 2-Part Choral Octavo |
$1.80
|
View |
Description
The Water Is Wide: SSA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Arranger: Jay Althouse

Jay Althouse studied music education and music at Indiana University of Pennsylvania, where he was later honored with a Distinguished Alumni award. His work as a rights and licenses administrator at a major educational publisher gave him deep insight into what choirs need, shaping his approach to composition and arrangement. He holds membership in ASCAP and has received multiple Special Awards recognizing his contributions to choral music.
With over 800 choral works in print across all levels, Althouse has become a trusted voice in American choral writing. Beyond composing, he has compiled vocal collections, co-authored instructional resources like The Complete Choral Warm-up Book and Accent on Composers, and served on the National Advisory Board of the Folk Art Society of America. His collaborative work with Sally K. Albrecht includes children's musicals and I Hear America Singing, performed at President Obama's inauguration by the San Francisco Girls and Boys Choirs.
Why we love this
Althouse's ear for contemporary harmony brings fresh color to a traditional ballad without losing its emotional core. The rolling piano accompaniment creates textural interest that supports rather than overshadows the voices, making this a standout choice for directors seeking accessible yet musically substantive SSA arrangements.
What to expect
The arrangement balances intimacy with shimmer. Rolling piano figurations create a sense of gentle motion, while the SSA voicing sits warmly in the middle and upper registers. Althouse's contemporary harmonies add complexity without obscuring the folk melody's plaintive character.
Who it's for
This arrangement works for treble choirs at the intermediate to advanced level, including high school women's choirs, college treble ensembles, and community groups looking for contest or festival material with genuine musical substance. It suits directors who want a folk standard with modern harmonic sophistication that doesn't require a large ensemble.
How to get the most out of it
- Bring out the shimmer in the harmonies by encouraging singers to listen across voice parts rather than locking onto their own line; blend creates the arrangement's visual quality
- Use the piano accompaniment to establish the gentle, rolling character from the very first rehearsal; let the keyboard set the tempo and mood before voices enter
- Shape phrases with subtle dynamic swells rather than obvious peaks; this folk arrangement rewards understated musicality over dramatic gestures
How to use it
This piece earns its place on a concert celebrating American folk traditions or blended programming that mixes traditional material with modern treatment. Its accessibility and contest credentials make it ideal for spring festivals, and its twelve pages allow it to anchor a short choral set without overshadowing lighter or more dramatic selections.
Skills your students will build
- Voice independence in SSA voicing while maintaining blend
- Listening across parts to tune contemporary harmonies
- Phrasing with subtle dynamic control rather than obvious crescendos
- Interpreting folk melody within arranged harmonic context