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The Virtuosic Performer, Book 1: Piano Book

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The Virtuosic Performer, Book 1 Cover Image

The Virtuosic Performer, Book 1: Piano Book

9 Exciting Late Elementary to Early Intermediate Piano Solos

By Margaret Goldston

Level: Late Elementary / Early Intermediate

Item: 00-16508

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Description
This series was written for piano students who enjoy showing off their talent at recitals, competitions and festivals. The technical patterns in the pieces help develop strength and dexterity in the fingers, as well as evenness and clarity of tone. Book 1 features spirited and exotic works that adventurous late elementary and early intermediate pianists will find most satisfying. These pieces are also a great way to encouraged students who are a bit more reserved to reach for more emotive performances.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-1659-8
ISBN13: 978-0-7390-1659-6
UPC: 038081175416
SKU: 00-16508

More about this title

About the Composer: Margaret Goldston

Margaret Goldston

Margaret Goldston (1932-2003) built her career as a composer, teacher, and clinician, working with piano students of all ages from her studio in North Carolina. She held a Bachelor of Music degree in piano performance from Louisiana State University and received the school's Alumnus of the Year award in 1991. Her study of composition under Pulitzer Prize winner Robert Ward shaped a compositional voice that balanced technical rigor with genuine musicality.

Goldston earned recognition as Composer of the Year by the North Carolina Federation of Music Clubs in both 1983 and 1994, and her work appeared regularly on contest lists, including the NFMC Junior Festivals Bulletin. She conducted masterclasses and teacher workshops across the United States and Canada, and was posthumously honored as a Foundation Fellow by the Music Teachers National Association in 2020. Her commission to write for Clavier Magazine in 1990 reflected her standing among music educators as both a composer and a voice on pedagogy.

Why we love this

Goldston understood what makes a recital piece work: flashy enough to hold an audience, challenging enough to feel like genuine achievement, and written with real pedagogical intention. These pieces don't rely on empty pyrotechnics; the technical demands serve the music, and the exotic flavor keeps students engaged through repetitive practice patterns that actually build strength and control.

What to expect

Spirited and adventurous, with exotic touches that transport both player and listener. Each piece balances rhythmic energy and colorful harmony in ways that feel contemporary and engaging without overwhelming the developing pianist.

Who it's for

Late elementary and early intermediate pianists who relish the chance to perform with personality and technical flair. These pieces work especially well for students preparing for recitals, competitions, or festivals where a standout performance can build confidence and showcase their growing technical ability.

How to get the most out of it

  • Isolate the technical patterns before performing at tempo. Work hands separately first, then slowly together, attending to evenness across scalar passages and broken chord figures.
  • Record yourself playing to identify uneven tone production, especially in repeated figuration. Clarity matters more than speed in making these pieces shine.
  • Lean into the character and spirit of each piece rather than rushing through to prove you can. The exotic quality of these works is what makes them memorable for an audience.
  • Balance showiness with musical intention. These pieces invite performance presence, so commit fully to dynamic contrasts and phrasing choices.

How to use it

Feature these pieces in student recitals where you want to showcase technical growth and musical maturity. They pair well with lyrical ballads or classical-period works, offering contrast and energy that keeps an audience attentive throughout a program.

Skills your students will build

  • Finger strength and dexterity through repeated scalar and broken chord patterns
  • Even tone production and clarity across technical passagework
  • Expressive performance and stage presence beyond note-reading
  • Confidence in handling virtuosic figurations at manageable tempos
  • Musical interpretation that balances technical display with artistic intent

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