The Varsity Drag Cover Image

The Varsity Drag: SSA Choral Octavo

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The Varsity Drag Cover Image

The Varsity Drag: SSA Choral Octavo

From the Musical Good News

Words and music by B. G. DeSylva, Lew Brown, and Ray Henderson / arr. Larry Shackley

Item: 00-32951

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Description
"Down on the heels, up on the toes, stay after school, and learn how it goes!" Here's the song that started the dance craze of the Roaring '20s!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081358598
SKU: 00-32951

More about this title

About the Composer: B. G. DeSylva

B. G. DeSylva (1894-1943) was a Broadway lyricist and composer whose gift for accessible, rhythmically inventive popular songs made him one of the defining voices of 1920s musical theater. Working frequently with composers Lew Brown and Ray Henderson, DeSylva created standards that captured the energy and optimism of the Jazz Age, earning him recognition as one of the most performed songwriters of the era.

DeSylva's work remains central to choral repertoire because his melodies are singable without being simplistic, and his lyrics sparkle with period charm that audiences instantly recognize. His ability to write for ensemble without sacrificing individual moments makes his songs ideal for building choral confidence and ensemble cohesion.

Why we love this

This arrangement captures all the infectious swagger of the original without requiring your singers to navigate complex harmonies or extended ranges. Larry Shackley's SSA setting keeps the energy and fun intact while giving your ensemble something genuinely rewarding to perform, and audiences respond immediately to music they recognize from this iconic decade.

What to expect

Effervescent and playful, with a rhythmic lilt that makes you want to move. The melody dances across the voices with the kind of melodic clarity that made 1920s popular song so immediately infectious, and the SSA voicing keeps the texture light and bright without sacrificing harmonic interest.

Who it's for

High school and community choirs looking for SSA repertoire that feels contemporary in appeal while being period-authentic. Singers who thrive on recognizable material and the confidence that comes from performing a genuine musical theater standard.

How to get the most out of it

  • Keep the rhythmic momentum crisp and forward. The charm of the Drag lives in its bounce, so resist the urge to over-legit the phrasing; let the syncopation breathe naturally.
  • Balance the melody line clearly against the inner harmony parts so the hook stays in the listener's ear. The accompaniment (recorded or instrumental) will help anchor the ensemble.
  • Lock in the syllable precision on the spoken or semi-spoken moments (like the opening "Down on the heels, up on the toes") for maximum comedic effect and clarity.
  • If using instrumental parts, ensure the ensemble can hear the piano part for harmonic support during rehearsal before adding fuller instrumentation.

How to use it

Perfect for concert closers or lighter program segments where you want to send audiences out smiling with a piece they'll recognize. It pairs naturally with other Golden Age standards or works as a standalone novelty number that breaks up a heavier concert arc.

Skills your students will build

  • Syncopated rhythm reading in a pop music idiom
  • Ensemble blend and balance across three parts
  • Stylistic communication of period material (1920s Broadway vernacular)
  • Rhythmic precision in speech-song hybrid moments

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