The Twelve Songs of Christmas: 2-Part/SSA Choral Octavo
A Medley of Seasonal Favorites
Arr. Jay Althouse
Item: 00-PO-0003878
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About the Arranger: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later recognized with the Distinguished Alumni award. Early in his career, he worked for eight years as a rights and licenses administrator at a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has created more than 800 choral works performed throughout the English-speaking world and regularly receives the ASCAP Special Award for his compositions.
Beyond composing, Althouse has compiled and arranged respected vocal collections, co-written children's musicals with Sally K. Albrecht, and authored instructional resources for music classrooms including Ready to Read Music and One-Page Composer Bios. He served on the board of the North Carolina Master Chorale and currently sits on the National Advisory Board of the Folk Art Society of America. His choral composition "I Hear America Singing," co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Obama's Inauguration in 2009.
Why we love this
Althouse's gift for medley-writing shines here: twelve beloved carols flow seamlessly without feeling rushed or fragmented, and the arrangement respects each song's character while building genuine momentum toward that show-stopping Hallelujah moment. The flexibility to perform as 2-Part, SSA, or SSAA makes this genuinely useful for choirs at different vocal maturity levels, and the optional orchestration adds polish without complexity.
What to expect
A joyful procession of holiday recognition, moving from the hushed reverence of 'Silent Night' through festive carols before landing in triumphant praise. The medley captures both intimate moments and communal celebration, culminating in a finale that feels earned rather than forced.
Who it's for
Any choir seeking a crowd-pleasing holiday centerpiece that works for mixed, treble, or flexible voicings. The 20-page score and accessible writing make this suitable for high school through adult choirs, and simpler passages serve younger singers well without boring more advanced ensembles.
How to get the most out of it
- Balance the texture in each song: younger singers often overpower the melody on familiar tunes, so remind your section leaders that supporting harmony voices matter just as much during 'Silent Night' as they do during the climactic 'Hallelujah.'
- Maintain a steady tempo flow between carols even when the character shifts dramatically; treat transition moments as musical punctuation rather than full stops.
- If using instrumental accompaniment, have your instrumentalists mark phrase endings and dynamic peaks ahead of rehearsal so they can anchor the choir's pacing and style choices.
- Reserve energy for the final chorus: the Hallelujah requires a full, confident sound, so shape earlier songs with restraint that allows room to grow.
How to use it
Program this as a main event on your winter concert rather than an opener or filler; its length and structural arc deserve prime real estate on the setlist. The piece pairs beautifully alongside more classical sacred works or contemporary seasonal compositions, and the familiar material makes it an excellent choice for community holiday events where you want assured audience engagement.
Skills your students will build
- Sustaining legit phrasing across multiple tempo and style changes within a single piece
- Maintaining intonation through extended unaccompanied sections (verses of 'Silent Night' and others)
- Balancing melodic and harmonic roles across different voicing configurations
- Interpreting dynamic and textural shifts that define each carol's character
- Coordinating ensemble sound when optional instrumentation is added