The Twelve Songs of Christmas: SAB Choral Octavo
A Medley of Seasonal Favorites
Arr. Jay Althouse
Item: 00-PO-0003877
Minimum order quantity: 20 copies
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About the Arranger: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. His career spans both the publishing side of music education and creative composition; he spent eight years managing rights and licensing for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America.
With over 800 choral works in print, Althouse has established himself as a prolific voice in choral music across all skill levels. His compositions are performed widely throughout English-speaking countries, and he is a writer member of ASCAP with multiple Special Awards for his work. Beyond composing, he has co-written children's musicals with Sally K. Albrecht, compiled vocal solo collections, authored pedagogical resources including The Complete Choral Warm-up Book and Accent on Composers, and contributed to national arts organizations including the Folk Art Society of America.
Why we love this
Six and a half minutes of crowd-pleasing holiday classics that actually work for mixed choirs of varying abilities. The arrangement moves seamlessly from the hushed reverence of "Silent Night" to the triumphant energy of the "Hallelujah Chorus," giving your concert a natural dramatic arc and a guaranteed standing ovation finale.
What to expect
A journey through the emotional landscape of Christmas, beginning with intimate reflection and concluding with exuberant celebration. The medley weaves familiar melodies in a way that feels both fresh and deeply comforting, allowing singers and audiences alike to reconnect with beloved traditions while experiencing them anew.
Who it's for
Any choir looking for a showstopper holiday medley that requires minimal rehearsal time relative to its impact. Whether you program concert festivals, church services, or community performances, this SAB voicing accommodates changing choral membership and ranges without sacrificing the joy of the music.
How to get the most out of it
- Balance the texture in the opening sections by asking the sopranos to sing lyrically but without oversinging; let the alto and bass lines breathe equally into the harmonic foundation.
- Mark the tempo shifts between medley sections in rehearsal so transitions feel intentional rather than abrupt; use the recorded accompaniment to internalize these pacing choices.
- Bring out the energy in the "Hallelujah Chorus" finale by treating it as a true climax; build momentum through the final statements and trust the arrangement to carry the piece home.
How to use it
Position this as your holiday concert finale; its accessible yet varied arrangement and natural emotional trajectory make it an ideal closing statement that leaves audiences in high spirits. It also works beautifully as a mid-concert anchor piece, allowing lighter openers and encore selections to frame it effectively.
Skills your students will build
- Sight-reading across three-part voicing with SAB layout
- Blending and balance in medley arrangements with contrasting tempos
- Interpretive choices within familiar melodies
- Ensemble cohesion across multiple distinct sections and mood shifts