The Syncopated Clock Cover Image

The Syncopated Clock: Concert Band Conductor Score

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The Syncopated Clock Cover Image

The Syncopated Clock: Concert Band Conductor Score

By Leroy Anderson / arr. Jack Bullock

Grade: 1 (Very Easy)

Item: 00-38316S

$9.00
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Description
That clock just doesn't sound right! Poking musical fun by tipping the sands of time, this Leroy Anderson classic theme is certain to bring a smile to all! Scored with your beginners in mind, the woodblocks tick away while the rest of the band presents the famous melody. A real winner!

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Additional Details
Series: Pop Beginning Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081439518
SKU: 00-38316S

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer whose gift for orchestration and infectious sense of humor made him a household name. His instrumental pieces, written primarily for pops orchestras and concert bands, blend classical technique with popular appeal, creating works that delight both musicians and audiences without demanding virtuosity.

Why we love this

This arrangement strips away none of the charm that made the original so beloved, while giving young players a genuine stake in the musical comedy. The woodblock ostinato keeps everyone locked in rhythmically, and watching a beginning band pull off a recognizable, sophisticated-sounding piece builds confidence faster than almost anything else at this level.

What to expect

Delightfully quirky and gently witty. The persistent ticking suggests both mechanical precision and playful mischief, while the melody emerges with an almost vaudeville charm. It's the musical equivalent of a good-natured joke that lands every time.

Who it's for

Grade 1 bands beginning to explore concert repertoire beyond fundamentals. Players need secure enough rhythmic reading to follow a steady pulse and clean enough articulation to project melody, but the writing assumes no advanced technical demands.

How to get the most out of it

  • Keep the woodblock steady and unwavering; it's your metronome. Any wavering throws off the joke.
  • Balance the melodic line so it sits comfortably above the accompaniment, but don't let the supporting voices disappear.
  • Shape the melody with gentle phrasing rather than rigid note-by-note articulation; the tune should sound conversational, not mechanical.
  • Observe the dynamic markings closely, especially softer passages, to let the clock-tick texture shine through.

How to use it

Perfect as a concert opener or closer when you want to establish an upbeat mood and showcase what young musicians can achieve. Pair it with a contrasting lyrical piece to balance the program, or use it as a confidence builder midway through your season when players need reassurance they've grown.

Skills your students will build

  • Maintaining a steady rhythmic foundation while others carry melody
  • Balancing independent parts in an ensemble texture
  • Phrasing melodic lines with direction and shape
  • Reading and executing dynamic contrasts at a beginner level
  • Responding to a conductor's interpretation and cueing

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