The Shepherd's Carol Cover Image

The Shepherd's Carol: Choral Octavo SoundTrax CD

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The Shepherd's Carol Cover Image

The Shepherd's Carol: Choral Octavo SoundTrax CD

Music by Mary Donnelly and George L. O. Strid

Item: 00-3884

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Description
Here's another fine 2-part work from Mary Donnelly and George Strid. The melody of this "walking tempo" Christmas piece is based on the Mixolydian mode (flat 7th). There's some vocal independence but the two parts sing together, rhythmically, for much of the piece. The final chorus includes a descant.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081046594
SKU: 00-3884

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada and studied English and French at the University of Nevada, Reno. While still an undergraduate, she found herself drawn to music education after helping organize children's choruses, which inspired her to pursue formal training. She earned a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, where she focused on integrating arts across the curriculum. Over thirty years, she taught general music and choir in Washoe County schools, serving her community while remaining active in ACDA, NEA, and ASCAP.

In 1985, Donnelly began collaborating with George Strid during a team-taught sixth grade music class when their principal challenged them to write a musical for Reading Week. That first project, The Million Dollar Mystery, launched a prolific partnership spanning more than two hundred songs and twenty-five musicals. The pair's gift for accessible, engaging choral writing has made their work a staple in school music programs across the country.

Why we love this

Donnelly and Strid understand how to balance harmonic sophistication with singability. The Mixolydian mode gives this piece an understated modal warmth that feels fresh for Christmas repertoire without alienating singers or audiences, and the descant finale rewards students who've built ensemble confidence throughout rehearsal.

What to expect

There's a quiet reverence here, almost a pastoral stillness. The modal melody suggests an older carol reimagined, and the rhythmic unison passages create moments of collective warmth before the final chorus lifts everything with its descant, leaving singers and listeners with a sense of gentle uplift.

Who it's for

This octavo works well for intermediate to advanced choir programs seeking Christmas music with harmonic depth. Both middle school and high school choirs can perform it, and the recorded accompaniment makes it accessible for programs without a rehearsal pianist.

How to get the most out of it

  • Establish the walking tempo early in rehearsals so both parts maintain rhythmic momentum. The piece's charm depends on a steady, unhurried pulse.
  • Balance the final chorus descant by having your strongest singers on part 2 while the rest carry the main melody securely. The two lines should blend equally, not compete.
  • Shape the modal melody with gentle dynamic peaks rather than sudden accents. The flat 7th note works best when you let it sit naturally in the line.

How to use it

Slot this piece into a Christmas concert's second half, where it provides textural contrast to more familiar seasonal arrangements. Its moderate length and two-part texture make it ideal for pairing with a larger contemporary carol or a traditional four-part processional.

Skills your students will build

  • Reading and performing in the Mixolydian mode
  • Singing parallel 2-part harmony with independent rhythm
  • Balancing melody and descant in ensemble texture
  • Maintaining steady tempo at a walking pace
  • Blending vocal lines while respecting harmonic color

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