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The Second Storm (Ivan): Full Orchestra Conductor Score

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The Second Storm (Ivan) Cover Image

The Second Storm (Ivan): Full Orchestra Conductor Score

By Robert W. Smith

Grade: 2.5

Item: 00-BFOM05008C

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Description
Inspired by the devastating hurricane season during the summer of 2004, the subtitle of this work is "Ivan." The Second Storm begins with a calm melodic introduction "Before the Storm" and, as the fury of Mother Nature is unleashed, the work develops using strong unison impacts with driving rhythmic figures to capture the intensity of the event in sound. Your intermediate orchestra will sound bold. A big sound is guaranteed. (2:09)

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Additional Details
Series: Belwin Intermediate String/Full Orchestra
Publisher: Alfred Music
Page Count: 16
UPC: 654979095835
SKU: 00-BFOM05008C

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith has established himself as a cornerstone voice in American orchestral and concert band composition, with over 400 published works performed across North America, Europe, Asia, and Australia. He holds degrees from Troy State University and the University of Miami, and his major symphonic works like The Divine Comedy and The Odyssey have become touchstones for music programs worldwide.

Beyond the concert stage, Smith's music has appeared in television broadcasts, Olympic ceremonies, and major national events ranging from the Macy's Thanksgiving Day Parade to Opening Day at Dodger Stadium. His work as both composer and clinician has made him a familiar voice at music festivals and conductor workshops across the United States, Canada, Japan, Australia, and Europe.

Why we love this

Smith captures the visceral power of a hurricane without resorting to cheap gimmickry. The arc from calm prelude through mounting tension to full orchestral force feels earned and musically coherent, giving your orchestra a chance to build genuine intensity while staying well within Grade 2.5 technical demands. The unison passages and driving rhythms sit naturally under the players' fingers and sound impressively bold even in smaller programs.

What to expect

The piece opens with quiet, flowing lines that establish a world at peace before the weather turns violent. Once the storm breaks loose, jagged rhythms and powerful unison writing create the sensation of natural force unleashed, building toward a climax where the full orchestra sounds unified and formidable.

Who it's for

Intermediate orchestras looking for a concert or festival piece with narrative architecture and genuine emotional arc. This work sits comfortably in the Grade 2.5 range but delivers the kind of bold, unified sound that feels more advanced than the difficulty level suggests.

How to get the most out of it

  • Shape the opening "Before the Storm" section with real legit and breath to establish contrast with the chaos that follows. The serenity here makes the transition more dramatic.
  • Lock the unison figures between strings and winds during the storm section; these need to feel like a single organism driving forward, not separate layers.
  • Balance the driving rhythmic figures in the percussion and lower instruments so they propel rather than overwhelm the melodic content when it emerges from the fury.
  • Let the full orchestra breathe together at structural moments. The conductor's clear gesture matters here; this is where ensemble cohesion sounds most impressive.

How to use it

Pair this as a concert centerpiece for spring programming or Earth Day concerts, where its environmental inspiration resonates with contemporary awareness. The two-minute length makes it an ideal anchor piece on a mixed program of student soloists or other developing ensemble work.

Skills your students will build

  • Executing strong, aligned unison passages across mixed instrumentation
  • Responding to conductor gesture and sectional independence within an ensemble context
  • Shaping phrasing and dynamics over longer phrases with clear narrative structure
  • Reading and executing rhythmic driving figures with precision and energy
  • Balancing melody and accompaniment when both are present simultaneously

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