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The Second Storm (Ivan): Full Orchestra Conductor Score & Parts

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The Second Storm (Ivan) Cover Image

The Second Storm (Ivan): Full Orchestra Conductor Score & Parts

By Robert W. Smith

Grade: 2.5

Item: 00-BFOM05008

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Description
Inspired by the devastating hurricane season during the summer of 2004, the subtitle of this work is "Ivan." The Second Storm begins with a calm melodic introduction "Before the Storm" and, as the fury of Mother Nature is unleashed, the work develops using strong unison impacts with driving rhythmic figures to capture the intensity of the event in sound. Your intermediate orchestra will sound bold. A big sound is guaranteed. (2:09)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Second Storm (Ivan): Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Intermediate String/Full Orchestra
Publisher: Alfred Music
Page Count: 122
UPC: 654979095828
SKU: 00-BFOM05008

More about this title

About the Arranger: Robert W. Smith

Robert W. Smith

Robert W. Smith has established himself as a prolific voice in American orchestral and band music, with more than 400 compositions and arrangements published primarily through Alfred Music. He holds degrees from Troy State University (Alabama) and the University of Miami (Florida), and his works have been performed by ensembles across North America, Europe, Australia, and Asia. His symphonic works, including The Divine Comedy and The Odyssey, have become touchstones in the repertoire, while pieces like The Tempest define the standard for developing ensembles.

Beyond the concert hall, Smith's music has appeared in high-profile contexts ranging from Olympic ceremonies to network television broadcasts and major sporting events. His work as a conductor and clinician has taken him to venues worldwide, solidifying his influence on music education and performance standards across multiple continents.

Why we love this

Smith captures the raw power of a natural disaster without resorting to gimmicks or overwrought effects. The architecture is elegant: a genuine "Before the Storm" section that lets your orchestra settle and listen, followed by an escalation built on unison impact and propulsive rhythmic figures that intermediate players can execute with confidence. This guarantees a bold, cohesive sound from your ensemble without requiring virtuosic individual playing.

What to expect

The piece opens with introspection and quiet drama, allowing the listener to settle into an atmosphere of anticipation. As the storm breaks, the orchestra transforms into a unified force of nature, with driving rhythms and bold unison lines that convey fury without requiring aggressive playing from individual musicians.

Who it's for

Intermediate full orchestras preparing for spring concerts or festival competition. This work suits ensembles with solid intonation and rhythmic foundation but does not demand advanced technical soloists, making it ideal for schools serving mixed-ability orchestral programs.

How to get the most out of it

  • Shape the opening melodic section with careful dynamic control and expressive phrasing. This calm passage establishes the emotional anchor and makes the storm's arrival feel earned rather than sudden.
  • Lock the unison figures during the storm section with rhythmic precision. The power comes from unified attack and release across all sections, not from individual players pushing ahead.
  • Balance the driving rhythmic patterns in the accompaniment so they support rather than overwhelm the primary material. Let the work's architecture breathe between its quiet and intense moments.
  • Use the conductor score to anticipate the transitions between sections. The pacing between the calm introduction and the fury matters as much as the intensity of each section itself.

How to use it

This works beautifully as a centerpiece for a spring concert focused on contrasting moods or natural phenomena. Its two-minute running time and concert appeal also make it an effective festival selection. Consider pairing it with lighter or more lyrical works to showcase your orchestra's range of expression.

Skills your students will build

  • Dynamic contrast and phrasing in lyrical sections
  • Unified unison playing with rhythmic precision
  • Ensemble balance between primary melodic material and driving accompaniment figures
  • Transitions between contrasting tempos and characters
  • Sustaining intensity through repeated rhythmic patterns

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