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The Sailor's Life for Me: 2-Part Choral Octavo

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The Sailor's Life for Me Cover Image

The Sailor's Life for Me: 2-Part Choral Octavo

Music by Mary Donnelly and George L. O. Strid

Item: 00-11374

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Description
Yo ho! It's a sea chantey for 2-part choirs. "I was just a lad when I left my home; said goodbye and headed off to sea." A slow, mysterious middle section contrasts with the bouncy opening and closing melody. Any young choir will enjoy this one. Consider featuring your guys on this one.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Sailor's Life for Me: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081024264
SKU: 00-11374

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and studied English and French at the University of Nevada before discovering her true calling in music education. While still an undergraduate, she co-founded two children's choruses, an experience that prompted her to return to school for music certification and eventually earn a Master's in Education from Lesley College in Cambridge. She spent three decades teaching general music and choir in the Washoe County School District, retiring as an active member of ACDA, NEA, and ASCAP.

In 1985, Donnelly partnered with George Strid during a team-taught sixth grade music class when their principal requested a musical for Reading Week. That first collaboration, The Million Dollar Mystery, launched a prolific writing partnership that has produced over two hundred songs and twenty-five musicals. Both educators brought classroom experience directly into their compositional work, creating pieces designed for the voices and interests of young singers.

Why we love this

The contrast between verses and chorus gives young singers textural variety without demanding advanced technique. Donnelly and Strid understand what middle school choirs actually need: accessible writing paired with genuine musical interest, so singers stay engaged rather than bored.

What to expect

Salty and theatrical from the start, with the opening chant conjuring a ship's deck and crew camaraderie. The mysterious middle pulls back the energy entirely, creating genuine emotional contrast before the bouncy return lands like coming back home to familiar waters.

Who it's for

Young choirs in grades 5-8 who are developing musicality and confidence without the technical demands of three or four-part writing. Directors looking for repertoire that connects to students' interests and gives them real singing, not just warm-up material.

How to get the most out of it

  • Shape the opening so the 'yo ho' feels like a crew calling to each other, not a unison shout. Let it breathe and settle into the narrative.
  • The mysterious middle section benefits from deliberate tempo control; resist the urge to rush back to the bouncy sections.
  • Balance the two parts carefully during the contrasting middle, as independent voicing often exposes intonation issues in younger choirs.
  • Feature male singers prominently without excluding other voices; Donnelly and Strid wrote this knowing mixed-gender groups thrive on pieces that give certain sections spotlight time.

How to use it

Perfect for a seaside or maritime-themed concert, or simply as a high-energy encore that leaves audiences smiling. The narrative arc makes it work equally well as an opener that sets the concert's tone or a closer that sends people out with the tune in their heads.

Skills your students will build

  • Reading and sustaining independent melodic lines in 2-part texture
  • Responding to contrasting sections through dynamic and tempo adjustment
  • Balancing rhythmic precision with expressive storytelling
  • Managing intonation during passages with sustained harmony
  • Building confidence singing in front of an audience through accessible, character-driven material

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