The Sailor's Hornpipe Cover Image

The Sailor's Hornpipe: String Orchestra Conductor Score & Parts

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The Sailor's Hornpipe Cover Image

The Sailor's Hornpipe: String Orchestra Conductor Score & Parts

With a Yo Heave Ho

Traditional English Fiddle Tune / arr. Sandra Dackow

Grade: 2

Item: 00-44789

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Description
Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! "The Sailor's Hornpipe," arranged by Sandra Dackow, is familiar to many listeners through its opening words, "With a yo heave ho---and a slap upon the knee," and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Sailor's Hornpipe: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Orchestra Expressions
Publisher: Alfred Music
Page Count: 148
UPC: 038081517179
SKU: 00-44789

More about this title

About the Arranger: Sandra Dackow

Sandra Dackow is an arranger and composer known for creating engaging, accessible orchestral music that connects with younger ensembles. Her arrangements honor the spirit of traditional material while crafting writing that builds essential technical skills naturally through the act of playing.

Why we love this

Dackow has done what arrangers should do: she's made a folk standard genuinely fun to play while embedding real technique work into every line. The quote from Tchaikovsky and nod to Brandenburg near the end keeps conductors smiling; Grade 2 players get melodies they can own fearlessly, not filler parts that sit out half the piece.

What to expect

Robust and rollicking. The rhythm drives forward with a sailor's swagger, and there's a lived-in quality to the melody that invites players to commit fully rather than hold back. Underneath the fun sits clarity and straightforwardness; every note matters because every section carries the tune.

Who it's for

Grade 2 string orchestras that need a piece with genuine character and accessible technical goals. This works equally well for groups preparing for festival or contest and those simply seeking a confident, playable arrangement that students will look forward to rehearsing.

How to get the most out of it

  • Focus rehearsal attention on bow control in the lower half, where the rhythmic weight of the piece lives. Have students practice the preparatory measure several times to establish comfort with bow lifts before the first entrance.
  • Layer in the foot stomps and knee slaps gradually during rehearsals. Once the notes are secure, add the physical elements during a full run-through; the percussive sounds will tighten ensemble feeling naturally.
  • Treat the Tchaikovsky and Brandenburg moments as small surprises rather than distractions. Bring them out just enough to let listeners notice the wink; they shouldn't overwhelm the hornpipe's steady, rollicking character.
  • Mark dynamics clearly in parts before rehearsals begin. Grade 2 players benefit from seeing exactly where the energy shifts, especially in a piece with this much rhythmic momentum.

How to use it

Place this in a spring or end-of-year concert where you want the audience grinning and the ensemble finishing on a note of celebration. It pairs well with a lyrical Baroque or classical piece earlier in the program, creating natural contrast and leaving a memorable final impression.

Skills your students will build

  • Bow control and articulation in the lower half of the bow
  • Executing clean bow lifts in rapid succession
  • Playing rhythmic unison passages with precision
  • Maintaining ensemble pulse in a folk-style arrangement
  • Balancing individual line clarity with section strength

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