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The Really Easy Horn Book: French Horn & Piano Book

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The Really Easy Horn Book Cover Image

The Really Easy Horn Book: French Horn & Piano Book

Very First Solos for Horn in F with Piano Accompaniment

By Christopher Gunning and Leslie Pearson

Item: 12-0571509967

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Description
If you can play just a few notes on the horn, then you're ready for this book. Here are 10 imaginative little pieces especially composed for the absolute beginner---all of them with attractive piano accompaniments. The pieces are arranged progressively, so you can hear the step-by-step improvement in your playing as well as simply enjoying the music.

Titles: Elegy * Valse Triste * Stepwise * Echoes * Largo Appassionato * Minuet * Sad Café * Girls and Boys * Rag Doll * Prelude Op. 16, No. 4.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50996-7
ISBN13: 978-0-571-50996-6
UPC: 9780571509966
SKU: 12-0571509967
Instrumentation: French Horn & Piano

More about this title

About the Arranger: Leslie Pearson

Leslie Pearson has built a reputation for understanding the developmental arc of young musicians. Her work in brass pedagogy demonstrates a thoughtful approach to sequencing technical and musical challenges so that students remain engaged rather than overwhelmed.

Why we love this

Pearson's collection resists the urge to pad beginner books with exercises masquerading as pieces. Each work stands on its own musicality while staying within a genuine beginner's range, which means students actually want to practice them. The piano accompaniments do real musical work here, they're not just safety nets, but genuine partners that make even simple horn lines feel complete.

What to expect

These pieces breathe with genuine lyricism. There's melancholy in the Elegy and wistfulness in the Valse Triste, but also moments of lightness and playfulness. The collection feels more like discovering short musical stories than working through a curriculum.

Who it's for

Students in their first year of horn study who have established basic embouchure and can access a small comfortable range. This book bridges the gap between learning mechanics and making music, which is exactly when students decide whether they'll stick with the instrument.

How to get the most out of it

  • Let the piano establish the character first in each piece. Listen through the introduction before you enter, even if it's just a few measures, so your sound lands in the right emotional space.
  • Watch the dynamic markings closely; these pieces use contrast strategically to maintain interest across the collection. A student who respects the difference between mp and mf will sound far more confident.
  • Work the intonation of your sustained notes against the piano's sustained harmony. This book trains your ear in a way single-line exercises simply cannot.
  • Tempo changes between pieces are intentional, so don't rush the transitions. Take a real breath and reset your mindset for the next character.

How to use it

Assign these pieces across a semester as students build independence, moving from Elegy through to the Prelude as their final recital piece. Individual works also work beautifully as standalone pieces for young musician concerts or as stepping stones between method book exercises and longer solo works.

Skills your students will build

  • Sustaining steady tone across a comfortable range
  • Responding to dynamic markings and phrasing in context
  • Reading and executing basic articulations
  • Listening to and aligning with piano accompaniment
  • Understanding musical character and how tempo shapes mood
  • Building confidence with full pieces rather than fragments

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