The Pride of the Wolverines Sheet Music Preview

The Pride of the Wolverines: Concert Band Conductor Score & Parts

By John Philip Sousa / ed. Frederick Fennell

Grade: 3 (Medium Easy)

Item: 00-PK-0009582

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$82.00

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Product Price Quantity
The Pride of the Wolverines: Score $12.00
The Pride of the Wolverines: Piccolo $3.00
The Pride of the Wolverines: Flute $3.00
The Pride of the Wolverines: 2nd Flute $3.00
The Pride of the Wolverines: Oboe $3.00
The Pride of the Wolverines: 2nd Oboe $3.00
The Pride of the Wolverines: E-flat Soprano Clarinet $3.00
The Pride of the Wolverines: 1st B-flat Clarinet $3.00
The Pride of the Wolverines: 2nd B-flat Clarinet $3.00
The Pride of the Wolverines: 3rd B-flat Clarinet $3.00
The Pride of the Wolverines: E-flat Alto Clarinet $3.00
The Pride of the Wolverines: B-flat Bass Clarinet $3.00
The Pride of the Wolverines: B-flat Contrabass Clarinet $3.00
The Pride of the Wolverines: Bassoon $3.00
The Pride of the Wolverines: 2nd Bassoon $3.00
The Pride of the Wolverines: E-flat Alto Saxophone $3.00
The Pride of the Wolverines: B-flat Tenor Saxophone $3.00
The Pride of the Wolverines: E-flat Baritone Saxophone $3.00
The Pride of the Wolverines: 1st B-flat Cornet $3.00
The Pride of the Wolverines: 2nd B-flat Cornet $3.00
The Pride of the Wolverines: 3rd B-flat Cornet $3.00
The Pride of the Wolverines: 4th B-flat Cornet $3.00
The Pride of the Wolverines: 1st F Horn $3.00
The Pride of the Wolverines: 2nd F Horn $3.00
The Pride of the Wolverines: 3rd F Horn $3.00
The Pride of the Wolverines: 4th F Horn $3.00
The Pride of the Wolverines: 1st Trombone $3.00
The Pride of the Wolverines: 2nd Trombone $3.00
The Pride of the Wolverines: 3rd Trombone $3.00
The Pride of the Wolverines: 4th Trombone $3.00
The Pride of the Wolverines: Baritone B.C. $3.00
The Pride of the Wolverines: Baritone T.C. $3.00
The Pride of the Wolverines: Tuba $3.00
The Pride of the Wolverines: 1st Percussion $3.00
The Pride of the Wolverines: 2nd Percussion $3.00

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Description
Here's one that's often forgotten. Written in 1926 by John Philip Sousa at the request of Detroit's mayor, this charming cut-time march in typical Sousa style is dedicated to Mayor John W. Smith and the people of Detroit. The Pride of the Wolverines now comes with a full score! (3:43)

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Additional Details
Series: Fennell Edition Marches for Band
Publisher: Alfred Music
Page Count: 264
SKU: 00-PK-0009582

More about this title

About the Composer: John Philip Sousa

John Philip Sousa (1854–1932) shaped the American band tradition as both composer and conductor. His marches remain the gold standard for concert band repertoire, combining memorable melodies, clear formal structure, and writing that sits perfectly under student hands.

Why we love this

Most bands reach for "The Stars and Stripes Forever" or "Semper Fidelis," leaving The Pride of the Wolverines in obscurity. This march deserves regular rotation: it's genuinely engaging, sits comfortably at Grade 3, and gives your band a fresh Sousa experience without the weight of his most famous works. The Fennell Edition score is a gift for conductors who want to see every color clearly.

What to expect

Bright, purposeful, and distinctly civic in character. The march moves with the confidence of a mayoral dedication while remaining unpretentious; it invites the listener in rather than overwhelming them. There's genuine charm here beneath the structure.

Who it's for

Concert bands at the Grade 3 level looking for a Sousa march that isn't an overcrowded standard. This works equally well for groups building their classical pops repertoire or exploring American band literature with fresh material.

How to get the most out of it

  • Keep the cut-time pulse steady and business-like; resist the urge to drag. Sousa's marches live in their forward momentum.
  • Balance the solo cornets and first trumpet in the main melody against the full band. They should sing, not get swallowed.
  • Mark the key changes and section transitions in parts so students know exactly where they are in the form. This march's structure is logical, but young players benefit from explicit signposts.
  • Let the low brass lock in early. The foundation determines whether the entire march breathes or sits.

How to use it

Pair this with other Sousa marches for an all-American concert, or program it as the opener for a patriotic or community-focused concert. It also sits well in a concert band fundamentals concert where you're showcasing march form and the clarity of Sousa's writing.

Skills your students will build

  • Cut-time conducting and pulse stability
  • Balanced inner voice writing and melodic support
  • March form recognition and sectional clarity
  • Intonation across key changes
  • Dynamic independence between melody and accompaniment

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