The Power of Love Cover Image

The Power of Love: SAB Choral Octavo

$1.90 USD
Sale price  $1.90 USD Regular price 
Skip to product information
The Power of Love Cover Image

The Power of Love: SAB Choral Octavo

Words and music by Johnny Colla, Chris Hayes, and Huey Lewis / arr. Kirby Shaw

Item: 00-35843

makemusic Cloud badge

Need it now?

Buy Digital Version
$1.90
Shipped

One moment…

Description
Huey Lewis and The News wrote and sang this hit single in the 1985 blockbuster film Back to the Future. Their first #1 hit on the Billboard Hot 100!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Power of Love: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081400396
SKU: 00-35843

More about this title

About the Composer: Johnny Colla

Johnny Colla is a saxophonist, keyboardist, and songwriter best known for his work with Huey Lewis and The News, the chart-topping rock band that dominated the 1980s. As a core member of the group, Colla co-wrote some of their biggest hits, including "The Power of Love," which became a cultural touchstone through its appearance in Back to the Future. His contributions shaped the infectious, energetic sound that made the band one of the most successful acts of the decade.

Beyond his work as a performer and composer, Colla's songwriting demonstrates a gift for crafting memorable melodies and hook-driven arrangements that work equally well in concert halls and film contexts. His ability to blend rock sensibility with accessibility has made his compositions enduring choices for choral arrangers seeking contemporary material that engages singers and audiences alike.

Why we love this

Kirby Shaw's arrangement captures the driving energy of the original without losing the emotional warmth that makes this song resonate across generations. SAB voicing opens this hit to a broader range of choirs, and the inclusion of instrumental parts gives directors flexibility to build a fuller sound that recalls the rock band context.

What to expect

Infectious and warm. The melody sits in a comfortable range, and the SAB texture creates a roaring unison moment that feels anthemic without demanding soprano stratospheric notes. There's earnestness here, a rock sincerity that makes the love song land rather than feel ironic.

Who it's for

Choirs looking for contemporary repertoire that satisfies both singers and audiences; pop-focused groups that want legitimate choral writing rather than karaoke-style arrangements; directors programming a mix of classic and modern material without sacrificing musical substance.

How to get the most out of it

  • Anchor the rhythm section by locking the bass and percussion into a tight pocket; the groove should feel inevitable, not mechanical.
  • Shape the melodic phrases with genuine legit singing rather than a detached rock inflection; the emotional core of the tune depends on connection to the text.
  • Lean into the dynamic contrast between verses and the chorus; the arrangement rewards clear shifts in energy that spotlight the building intensity.
  • If using instrumental accompaniment parts, rehearse singers with rhythm section early so the choir internalizes the groove before polishing balance and blend.

How to use it

Pair this with other 1980s pop hits to create a themed concert that appeals to multigenerational audiences, or use it as a choral encore that shifts the energy in a spring pops concert. The accessibility and familiarity make it an effective opener for recruiting singers who think choral music isn't for them.

Skills your students will build

  • Maintaining rhythmic precision in rock-inflected tempos and syncopated rhythms
  • Blending three-part textures while maintaining clarity of individual lines
  • Connecting text to musicality in popular song idiom
  • Responding to recorded accompaniment while singing independently

You May Also Like