The Piano Player Series: Uplifting Classics Cover Image

The Piano Player Series: Uplifting Classics: Piano Collection

$13.99 USD
Sale price  $13.99 USD Regular price 
Skip to product information
The Piano Player Series: Uplifting Classics Cover Image

The Piano Player Series: Uplifting Classics: Piano Collection

By Various

Item: 12-0571542018

$13.99
Shipped

One moment…

Description
The Piano Player: Uplifting Classics presents 20 of the most famous pieces of classical music, ideal to lift the spirits and specially arranged for intermediate solo piano. Contents include "Can-Can" by Offenbach, "Zadok The Priest" by Handel and "William Tell Overture" by Rossini. The striking cover features Edward Bawden's color linocut Aesop's Fables: Peacock and Magpie, 1970, and a double-side color print provides the full artwork as a beautiful collectible.

The Piano Player series includes several wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork.

 

 

 

The Piano Player Series: Uplifting Classics: Piano Collection isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: The Piano Player Series
Publisher: Faber Music
ISBN10: 0-571-54201-8
ISBN13: 978-0-571-54201-7
UPC: 9780571542017
SKU: 12-0571542018

More about this title

About the Composer: Gustav Holst

Gustav Holst (1874-1934) was an English composer whose gift for orchestration and bold harmonic language made him one of the most performed classical composers in schools and concert halls. Best known for The Planets suite, Holst composed across nearly every genre and was deeply committed to music education, believing that accessible, well-crafted music could inspire both performers and audiences.

Why we love this

This collection curates 20 pieces that work because they're genuinely recognizable without feeling trite, and the intermediate arrangements respect the original character of each work while sitting comfortably under the hands. The Bawden artwork transforms the book into something students actually want to keep on their shelf rather than file away.

What to expect

Opening this collection is like walking into a room full of old friends. The pieces range from the infectious energy of Can-Can and William Tell to the solemn dignity of Zadok The Priest, but they all share a quality of directness and emotional clarity that makes them satisfying to play and hear.

Who it's for

Intermediate pianists who want to build confidence playing repertoire they've heard in concert halls and film soundtracks. Teachers looking for material that feels both accessible and genuinely classical, without dumbing down the music.

How to get the most out of it

  • Study the original orchestration before you play these arrangements. Knowing which instruments carry the melody helps you voice the piece so it sings rather than sounds like notes on a page.
  • These famous melodies carry weight because audiences know them. Resist the urge to rush; let the familiar material breathe so listeners can actually hear what they recognize.
  • Pay attention to the dynamic shapes in the score. Many of these pieces lose their grandeur when played at a consistent level; the rise and fall is where the drama lives.

How to use it

Build a recital around pieces from this collection that spotlight different moods and technical approaches. The variety means you can program a complete solo concert with pieces that connect thematically, or pull individual selections as openers or closers for mixed-instrument performances.

Skills your students will build

  • Interpreting well-known melodies without over-sentimentalizing them
  • Managing dynamic contrast in arrangements scaled for two hands
  • Balancing melody and accompaniment texture
  • Sustaining phrasing across extended passages
  • Recognizing and executing stylistic markers from Baroque, Classical, and Romantic periods

You May Also Like