The Pattern: SSA Choral Octavo
Words and music by Kara Stacy Bedwell
Item: 00-PO-0007920
Minimum order quantity: 20 copies
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Description
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About the Composer: Kara Stacy Bedwell

Kara Stacy Bedwell is a Florida-based composer who studied music education at Florida Southern College before earning a master's degree in music education from Florida State University. Her work centers on choral writing that prioritizes clear melody and thoughtful text setting, making her compositions both musically engaging and accessible to young singers.
Why we love this
Bedwell grounds a profound message of self-acceptance in concrete, unexpected imagery that speaks directly to young singers without feeling preachy. The sewing metaphor unfolds naturally through both text and music, and the emotional payoff of the central plea lands with genuine power because the musical journey has earned it.
What to expect
The piece unfolds with warmth and gentle momentum, like confiding something true to a trusted friend. Beneath the conversational ease runs an undercurrent of emotional honesty that builds steadily, until the singers arrive at a moment of genuine acceptance that feels hard-won rather than handed to them.
Who it's for
SSA choirs seeking repertoire with meaningful text and strong musical storytelling. This works equally well in concert settings, festival programs, and competitions where directors want their singers to connect personally with what they're performing.
How to get the most out of it
- Lean into the conversational quality of the rhythmic language. These are not decorative vocal lines; they're meant to sound like real voices in dialogue, so encourage singers to shape phrases as though they're speaking to one another.
- Balance the piano accompaniment carefully. Bedwell's buoyant writing should support without overwhelming the treble voices. In passages with the fuller texture, the singers need to feel the harmonic push and pull, not drown in it.
- Find the emotional arc from the opening through to the central statement. The piece builds toward vulnerability, so earlier sections should feel more searching and tentative, allowing the final affirmation to land as genuine breakthrough rather than triumph.
- Let the SSA voicing breathe in its own register. These chords are written for how they'll sound with treble voices, so avoid the temptation to double or fill in other parts. Trust Bedwell's voicing choices.
How to use it
Program this as a centerpiece for a concert exploring identity, acceptance, or resilience, where it can anchor a thematic arc. It also stands beautifully on its own in a contest or festival setting where the blend of accessible musicality and emotional substance tends to resonate with both adjudicators and audiences.
Skills your students will build
- Shaping conversational rhythmic phrasing in modern choral idiom
- Blending SSA voicing to create cohesive harmonic sound
- Connecting personal meaning to text through expressive vocal line work
- Building emotional arc over the course of a concert piece