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The Noise in the Basement: Concert Band Conductor Score & Parts

$48.00 USD
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The Noise in the Basement Cover Image

The Noise in the Basement: Concert Band Conductor Score & Parts

By Brad Ciechomski

Grade: 1.5 (Easy)

Item: 00-39619

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Description
This piece is a soundtrack for those times children find themselves alone in the basement. Noises seem to appear from all kinds of places that make imaginations run wild. Have fun creating your "trip to the basement" with your band! (1:25) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Noise in the Basement: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Debut Series
Publisher: Alfred Music
Page Count: 122
UPC: 038081454870
SKU: 00-39619

More about this title

About the Composer: Brad Ciechomski

Brad Ciechomski

Brad Ciechomski directs the band program at Harrison Middle School in Yarmouth, Maine, where his work earned him Teacher of the Year honors in 2005-2006 and recognition as one of 51 American Star of Teaching recipients in 2008. He holds degrees in composition from the University of New Hampshire, where he studied with Andrew Boysen Jr., and has received commissions from bands across all educational levels, from elementary through college ensembles.

Beyond the classroom, Ciechomski maintains an active presence throughout New England as a clinician, adjudicator, and guest conductor at regional festivals and competitions. He performs professionally as a freelance drummer, sharing the stage with jazz luminaries including Clark Terry, Mel Tormé, Bob Mintzer, and Wayne Bergeron, and has even performed with rock legend David Crosby. He lives in Portland, Maine with his family.

Why we love this

Ciechomski captures the essence of childhood imagination with orchestration that sounds far more sophisticated than the Grade 1.5 difficulty suggests. The programmatic scenario gives your band immediate dramatic purpose without requiring advanced technical skills, and the 1:25 duration fits perfectly into concert programs or Halloween-themed events without overwhelming newer ensembles.

What to expect

Unsettling and imaginative, populated by creaky sounds and unexpected noises that build tension without becoming chaotic. The music walks the line between genuinely spooky and playfully creepy, inviting the listener on a guided tour through a child's wild basement expedition.

Who it's for

Beginning concert bands and middle school ensembles looking for accessible but engaging Halloween programming or a piece that teaches musicality without technical demands. Directors seeking repertoire that captures students' imaginations and delivers real impact in performance despite a Grade 1.5 level.

How to get the most out of it

  • Establish a confident tempo from the downbeat; the piece's impact relies on the band committing to the character of the "basement" soundscape rather than rushing through moments of uncertainty.
  • Encourage players to think cinematically about their individual lines. Even if a part is simple rhythmically, each section contributes to the overall narrative atmosphere.
  • Balance the dynamic contrasts carefully. Use the score to identify which voices carry the main "spooky" ideas and which provide texture, so the storytelling remains clear.
  • Let younger players hear a complete run-through before sectionals. Understanding the arc of the piece helps them execute their parts with intention.

How to use it

Program this as a standalone Halloween concert feature or pair it with other accessible seasonal works for a thematic set. The short duration and Grade 1.5 level make it ideal for honoring Halloween traditions early in the school year while developing ensemble cohesion.

Skills your students will build

  • Executing sustained notes and rests with control and precision
  • Responding to conductor cues for dynamic and tempo changes
  • Creating musical atmosphere through careful articulation and balance
  • Reading and interpreting programmatic content from a score

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