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The New Recorder Tutor, Book II: Recorder Book

$5.95 USD
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The New Recorder Tutor, Book II Cover Image

The New Recorder Tutor, Book II: Recorder Book

By Stephen Goodyear / piano acc. by Malcolm Binney

Item: 00-11342X

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Description
A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.

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Additional Details
Publisher: Alfred Music
Page Count: 52
ISBN10: 0-7692-2986-7
ISBN13: 978-0-7692-2986-7
UPC: 029156204148
SKU: 00-11342X

More about this title

Why we love this

This method respects the learner's intelligence while removing barriers to entry. By teaching through rote and aural experience first, Goodyear and Binney let students make real music before tackling notation, which means kids stay engaged instead of stalling on theory. That's the kind of pedagogical thinking that turns reluctant learners into motivated ones.

What to expect

Accessible and encouraging. The method builds from simple sounds and familiar patterns into recognizable melodies, giving students immediate success and ownership of their learning.

Who it's for

This book is for children starting recorder with no prior musical training or reading ability. Teachers working with absolute beginners in classroom or private settings will find this method removes the intimidation factor that often stalls young learners.

How to get the most out of it

  • Establish consistent fingering positions before adding new notes; muscle memory matters more than speed at this stage.
  • Play the exercises daily in short sessions rather than cramming longer practice, which builds both technique and confidence.
  • Use a mirror to check embouchure and hand position without interrupting the flow of learning.

How to use it

Use this as your core text in a beginning recorder unit or classroom music program where students have no prior experience. Its step-by-step design means you can assign pages confidently without needing to supplement constantly.

Skills your students will build

  • Basic embouchure control and breath support
  • Finger coordination for single-line melodies
  • Listening and aural retention before notation
  • Foundational recorder technique (tonguing, fingering patterns)

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