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The Lord of the Rings Instrumental Solos for Strings: Viola (with Piano Acc.) Book & Online Audio/Software

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The Lord of the Rings Instrumental Solos for Strings Cover Image

The Lord of the Rings Instrumental Solos for Strings: Viola (with Piano Acc.) Book & Online Audio/Software

Music by Howard Shore / arr. various, ed. Bill Galliford

Level: 2-3

Item: 00-IFM0413CD

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Description
Music from all three films arranged for string instruments. Desirable and collectible, these instrumental folios are loaded with black-and-white photos of scenes from all three films. They are printed on top-quality antique paper stock, and the covers showcase the new "trilogy" artwork. The string series was written especially for violin, viola, and cello. Each book features a piano accompaniment and a carefully crafted removable string part complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment recording, with demo tracks (featuring live string performances) and play-along tracks, completes each package. The string books are completely compatible with each other and can be played together or as solos. Due to level considerations, the string books are not compatible with the books in the wind series. Titles are the twelve major themes from the blockbuster trilogy: from The Fellowship of the Ring: The Prophecy * In Dreams * Concerning Hobbits * Many Meetings * The Black Rider; from The Two Towers: Gollum's Song * Rohan * Evenstar * Forth Eorlingas; from The Return of the King: Into the West * The Steward of Gondor * Minas Tirith. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Lord of the Rings Instrumental Solos for Strings: Viola (with Piano Acc.) Book & Online Audio/Software comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Many Meetings Demo --:--
2 Many Meetings Playalong --:--

Many Meetings Demo

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Additional Details
Series: Pop Instrumental Solo Series
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7579-2330-5
ISBN13: 978-0-7579-2330-2
UPC: 654979081241
SKU: 00-IFM0413CD
Instrumentation: Viola (with Piano Acc.)

More about this title

About the Composer: Howard Shore

Howard Shore is a composer and conductor whose orchestral scores for film have shaped cinema over four decades. His work on Peter Jackson's Lord of the Rings trilogy earned him three Academy Awards and established him as a master of epic, character-driven orchestration. Shore's gift for melody combined with his sophisticated harmonic language makes his themes immediately singable yet orchestrally complex, a quality that translates beautifully to educational string arrangements.

Beyond Middle-earth, Shore has composed for dozens of films across genres, always prioritizing clarity of voice and emotional directness. His music rewards careful listening and responds to expressive playing, making it an ideal bridge between technical training and genuine musical interpretation for advancing young musicians.

Why we love this

These arrangements capture the sweep and character of Shore's themes without oversimplifying them. The viola part sits in a grateful range and carries melody throughout, making this collection substantial enough to hold a student's interest while remaining genuinely playable at Level 2-3. The film connection adds enormous appeal, and having all twelve major themes in one book means your students can build a complete repertoire of music they actually want to play.

What to expect

Each theme carries the weight of its cinematic moment. You'll find yourself in the quiet, intimate longing of Evenstar, the triumphant, brass-tinged splendor of Rohan, and the contemplative majesty of Into the West. The piano accompaniment frames each melody without overwhelming it, creating space for emotional storytelling through the viola line.

Who it's for

This collection serves viola students in Grades 4-7 who are ready to engage with substantive melodic material. Whether used for solo performance, as part of a student recital program, or in ensemble settings with compatible violin and cello books, these arrangements offer young violists genuine expression alongside manageable technical demands.

How to get the most out of it

  • Balance your vibrato with the piano accompaniment's harmonic foundation. Shore's themes sing best when the viola's tone is warm and sustained, but listen carefully to avoid overwhelming the accompanist's inner voices.
  • Shape each theme's opening phrase with a slight taper on longer notes. Shore rarely writes sudden dynamic drops; instead, the music breathes through gentle contours that feel like spoken dialogue.
  • Engage the demo track featuring live string performances before rehearsal. Hearing how a professional violist or cellist voices these themes in real time will clarify phrasing and bow placement far faster than any written instruction.
  • Treat the marked articulations as signs of emotional character, not technical obligation. A pizzicato moment or a staccato passage appears for story reasons, and honoring that makes the arrangement coherent.

How to use it

Feature these themes in a pops or film music concert, where they'll resonate with student and family audiences alike. You might also program individual themes alongside classical repertoire to show students how contemporary composers approach orchestration and thematic development. The twelve-theme collection makes an excellent year-long solo study project, with students performing different themes at fall, winter, and spring concerts.

Skills your students will build

  • Sustaining long melodic lines with consistent vibrato and tone quality
  • Navigating key signatures across the five themes (both major and minor tonalities)
  • Interpreting film-specific articulations and dynamic shaping as emotional storytelling
  • Balancing with piano accompaniment while maintaining viola's role as primary soloist
  • Reading carefully notated bowings and applying them musically rather than mechanically

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