The Little Drummer Boy / Peace on Earth Sheet Music Preview

The Little Drummer Boy / Peace on Earth: SSA Choral Octavo

The Little Drummer Boy - Words and music by Harry Simeone, Henry Onorati, and Katherine Davis; Peace on Earth - Words by Alan Kohan, music by Larry Grossman and Ian Fraser / arr. Jay Althouse

Item: 00-PO-0001114

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Minimum order quantity: 20 copies

Description
Perhaps you've heard David Bowie and Bing Crosby perform this popular counterpoint arrangement, overlapping two songs that will truly put you in the holiday spirit. A definite crowd-pleaser!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001114

More about this title

About the Composer: Harry Simeone

Harry Simeone was a prolific composer and arranger who became known for his work in sacred and popular music, particularly arrangements that brought together multiple musical traditions. His gift for blending melodies and creating singable counterpoint made him a sought-after voice in choral composition during the mid-to-late twentieth century.

Why we love this

This arrangement captures something rare: two beloved songs woven together seamlessly, creating a fresh take on familiar material without feeling gimmicky. Directors love it because audiences recognize both melodies instantly, and the SSA voicing makes it accessible to most holiday choirs while still delivering genuine musical interest.

What to expect

This piece carries the warmth and nostalgia of both songs while achieving something greater through their union. There's an elegance to hearing 'The Little Drummer Boy' and 'Peace on Earth' unfold together, creating a musical conversation that feels both surprising and inevitable.

Who it's for

Intermediate to advanced SSA choirs, especially those with confident, secure singers who can maintain their line while hearing another melody layered on top. Holiday concert organizers looking for a crowd-pleasing, instantly recognizable piece that stands apart from standard Christmas fare.

How to get the most out of it

  • Balance the two melodic lines carefully during the overlapping sections; one song should never completely disappear when the other enters.
  • Use the recorded accompaniment to lock in the harmonic foundation, especially where the counterpoint becomes dense.
  • Shape the phrasing of each melody independently, even when they sound together, so both lines retain their character and direction.
  • Allow space for the poignancy of 'Peace on Earth' to shine through; this isn't just a novelty arrangement, and the emotional weight matters.

How to use it

Program this as a centerpiece holiday selection that showcases your choir's ability to handle musical complexity without sacrificing accessibility. It works beautifully as a set closer or as a reprieve in an otherwise solemn Christmas service, offering your audience a moment of genuine delight.

Skills your students will build

  • Reading and sustaining independent melodic lines while hearing counterpoint
  • Balancing blend and line clarity in thick harmonic textures
  • Maintaining rhythmic precision when two distinct song structures overlap
  • Shaping two separate emotional narratives simultaneously

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