The Little Drummer Boy / Peace on Earth Cover Image

The Little Drummer Boy / Peace on Earth: TTBB Choral Octavo

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The Little Drummer Boy / Peace on Earth Cover Image

The Little Drummer Boy / Peace on Earth: TTBB Choral Octavo

The Little Drummer Boy - Words and music by Harry Simeone, Henry Onorati, and Katherine Davis; Peace on Earth - Words by Alan Kohan, music by Larry Grossman and Ian Fraser / arr. Jay Althouse

Item: 00-35825

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Description
Perhaps you've heard David Bowie and Bing Crosby perform this popular counterpoint arrangement, overlapping two songs that will truly put you in the holiday spirit. A definite crowd-pleaser!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Little Drummer Boy / Peace on Earth: TTBB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081400211
SKU: 00-35825

More about this title

About the Composer: Harry Simeone

Harry Simeone (1910-1997) was an American composer and arranger who specialized in choral music, particularly Christmas arrangements. His work defined the sound of holiday pop choral music for generations, and his compositions remain staples in school and community choir programs.

Why we love this

This arrangement transforms two beloved holiday songs into a sophisticated musical conversation. The overlapping counterpoint gives singers genuine harmonic work to do while the melody remains instantly recognizable, and audiences respond enthusiastically to the clever interweaving that stays true to the famous Bowie-Crosby recording.

What to expect

Wistful and energetic at once. The minor tonality of "The Little Drummer Boy" paired with the soaring warmth of "Peace on Earth" creates an emotional depth that holiday pop typically avoids. Singers feel the weight of genuine harmonic movement beneath melodies that sparkle.

Who it's for

Men's choirs seeking holiday repertoire with substance beyond simple four-part carols will find this arrangement rewarding. TTBB ensembles at intermediate to advanced levels have the vocal maturity and part-independence to execute the counterpoint convincingly.

How to get the most out of it

  • Balance the independent lines carefully; the arrangement works only when all four parts are heard clearly. Avoid letting the top voices dominate.
  • Separate rehearsals by voice part help singers secure their melodic material before blending the counterpoint together.
  • Shape phrases individually rather than treating the entire arrangement as one sustained wash. Each song's character deserves its own phrasing arc.
  • Use the recorded accompaniment to lock tempos and harmonic context, especially when coordinating the two melodic lines across sections.

How to use it

Reserve this for a holiday concert's centerpiece moment rather than background filler. Its sophistication and emotional arc demand focused listening, making it ideal for that second-half slot where the audience is settled and engaged. Pair it with a lighter seasonal opener and a rousing finale to frame the program effectively.

Skills your students will build

  • Reading and balancing independent melodic lines in counterpoint
  • Maintaining part independence while listening to other voices
  • Phrasing and shaping within harmonic structures
  • Coordinate tempo and harmonic precision with recorded accompaniment

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