The Little Drummer Boy: 2-Part/SSA Choral Octavo
Words and music by Katherine Davis, Henry Onorati, and Harry Simeone / arr. Bryan Sharpe
Item: 00-PO-0007535
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Katherine Davis
Katherine Davis composed "The Little Drummer Boy" with Henry Onorati and Harry Simeone in 1941, creating one of the most enduring modern Christmas carols. Her gift for melody and her understanding of how songs live in popular culture made this piece a staple of holiday programming across churches, schools, and concert halls for over eight decades.
Why we love this
Bryan Sharpe's arrangement respects the song's iconic simplicity while giving it real musical substance. The anchoring ostinato and rhythmic drive in the piano part create momentum that keeps young singers engaged, and the option to add percussion lets you build the arrangement to match your ensemble's size and experience level.
What to expect
The arrangement captures the quiet reverence of the original story while adding a gentle, steady pulse that feels both contemporary and timeless. Sharpe's piano writing moves with purpose, creating warmth without drowning the singers, and the harmonic progressions feel fresh without abandoning the melody that made this carol so beloved.
Who it's for
This arrangement works for middle school and high school choirs, community choir programs, and church music settings where singers range from developing to confident. The 2-Part and SSA options make it accessible across mixed and treble-voiced ensembles.
How to get the most out of it
- Let the "rum pum" ostinato establish itself clearly before voices enter; this rhythmic foundation makes everything that follows feel grounded and intentional.
- Balance the melody line against the accompaniment's decorative flourishes so the familiar tune remains the focal point, especially in the first statement.
- If using the snare drum and timpani parts, rehearse them independently with the rhythm section first so they enhance rather than overshadow the vocal lines.
How to use it
Place this on a winter concert between more complex seasonal fare and a closing piece; its familiarity gives audiences permission to settle in while the arrangement's musicality reminds them why this carol has lasted. It also pairs naturally with other modern carols or hymn-based seasonal works.
Skills your students will build
- Singing sustained melodies against rhythmic accompaniment patterns
- Part independence in 2-Part and SSA voicings
- Listening for and executing melodic echoes and harmonic layers
- Ensemble coordination with optional instrumental parts