The Little Drummer Boy: String Orchestra Conductor Score & Parts
Words and music by Katherine Davis, Henry Onorati, and Harry Simeone / arr. Bob Cerulli
Grade: 2
Item: 00-PK-0007076
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| The Little Drummer Boy: Score | $9.00 | |
| The Little Drummer Boy: 1st Violin | $5.99 | |
| The Little Drummer Boy: 2nd Violin | $5.99 | |
| The Little Drummer Boy: 3rd Violin (Viola [TC]) | $5.99 | |
| The Little Drummer Boy: Viola | $5.99 | |
| The Little Drummer Boy: Cello | $5.99 | |
| The Little Drummer Boy: String Bass | $5.99 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Little Drummer Boy: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Katherine Davis
Katherine Davis was an American composer and songwriter whose career spanned radio, film, and popular music throughout the mid-20th century. She collaborated frequently with lyricists and composers on theatrical and commercial projects, bringing a gift for memorable melody and broad accessibility to her work.
Why we love this
Bob Cerulli's arrangement captures the carol's essential charm while giving string players genuine musical challenges that don't feel forced. The introduction of col legno and double stops feels natural to the piece rather than pedagogically tacked on, and the straightforward structure means your ensemble can sound polished quickly.
What to expect
Gentle and reverent with moments of quiet rhythmic energy. The piece moves with the simplicity of the tune itself, never overwrought, allowing the familiar melody to carry the emotional weight while the ensemble provides warm harmonic support.
Who it's for
String orchestras at the Grade 2 level who are ready for their first experience with extended techniques but still need straightforward, confident repertoire. This works equally well for a focused advanced middle school group or a community orchestra seeking accessible holiday programming.
How to get the most out of it
- Balance the col legno sections carefully; students often strike too hard and lose the rhythmic clarity. Aim for a crisp, articulate sound rather than aggressive.
- Work the double stops in isolation before running full sections. Have students practice the interval shapes separately, then add them into context.
- Keep the tempo steady and singing throughout. This piece thrives on a warm, legato treatment that lets the familiar melody shine.
How to use it
Program this as the anchor piece in a holiday concert's sacred or contemplative section. Its moderate length and Grade 2 accessibility make it ideal for mid-concert placement, giving your ensemble a confidence boost after a more challenging opener and setting up nicely for lighter fare to follow.
Skills your students will build
- Col legno technique and control
- Double stops on multiple string instruments
- Balancing melody and accompaniment in a familiar harmonic context
- Sustained legato playing with dynamic control