The Little Drummer Boy Cover Image

The Little Drummer Boy: String Orchestra Conductor Score

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The Little Drummer Boy Cover Image

The Little Drummer Boy: String Orchestra Conductor Score

Words and music by Katherine Davis, Henry Onorati, and Harry Simeone / arr. Bob Cerulli

Grade: 2

Item: 00-44804S

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Description
This true Christmas classic, arranged by Bob Cerulli, is a great way to introduce col legno and double stops to your string players. Easy to put together and fun to play, it's a must for any holiday concert! (2:45)

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 12
UPC: 038081515489
SKU: 00-44804S

More about this title

About the Composer: Katherine Davis

Katherine Davis was an accomplished composer and lyricist who created some of the most enduring holiday music in American culture. Her gift for memorable melodies and emotional directness made her work accessible to musicians at all levels, and her influence on seasonal repertoire remains powerful decades after her compositions first appeared.

Why we love this

Bob Cerulli's arrangement captures the quiet dignity of this beloved carol while giving string players a genuine technical challenge. The strategic use of col legno and double stops feels organic to the music rather than added for show, making this both pedagogically sound and genuinely expressive.

What to expect

The familiar, almost hymn-like simplicity of the melody creates immediate connection, while the col legno and double stops add subtle shimmer and texture that honor the carol's contemplative spirit. There's intimacy in this arrangement: not bombastic, but deeply sincere.

Who it's for

This arrangement serves conductors building ensemble depth in Grade 2 string orchestras who want to introduce col legno and double stops without abandoning musicality. It works equally well for holiday concerts and for mixed-level rehearsals where experienced players can support newer ones learning these techniques.

How to get the most out of it

  • Establish a clear, gentle pulse from the opening. The simplicity of the melody invites rubato, but your string section needs a secure rhythmic foundation, especially when col legno textures enter.
  • Balance the double stops so they support rather than overwhelm the primary melodic line. Younger string players often dig in too hard with this technique; encourage them to think of it as color rather than force.
  • Shape the phrasing to follow the carol's natural breathing. This isn't a technically showy piece, so the expressive moments matter most. Let the melody breathe.

How to use it

Pair this with other seasonal selections to create a varied holiday concert that moves between energetic numbers and quieter, reflective moments. At just under three minutes, it works as a bridge piece between larger works or as a meaningful closer to a program.

Skills your students will build

  • Col legno technique (tapping the strings with the bow wood)
  • Double stops in practical ensemble context
  • Balancing texture and melody across the string section
  • Sustaining focused vibrato in slower, exposed passages
  • Reading and executing relatively simple rhythmic figures as part of an orchestral fabric

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