The Last Tournament Cover Image

The Last Tournament: Brass Quintet Score & Parts

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The Last Tournament Cover Image

The Last Tournament: Brass Quintet Score & Parts

By Carmen Gassi

Item: 81-BQ10336

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Description
The year is 1342, the place Dunstable England. This was the year the last of the Medieval tournaments was held in England. Imagine the knights arriving for the tournament to fanfares and celebrations. The Last Tournament was inspired by the composer's admiration and interest in the life and music of the Middle Ages. It is set in three contrasting movements: "Arrival of the Knights," "Elegy for the Fallen," and "The Victors."

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 20
ISBN10: 1-55473-530-0
ISBN13: 978-1-55473-530-3
UPC: 685462015313
SKU: 81-BQ10336
Instrumentation: Brass Quintet

More about this title

Why we love this

The three-movement structure gives you a complete dramatic arc without requiring a full orchestra. Gassi's orchestration choices demonstrate how much color and narrative power brass quintet can deliver, making this ideal for festivals where impact matters and rehearsal time is limited.

What to expect

The first movement crackles with pageantry and period energy; medieval fanfares give way to processional grandeur. The middle movement slows everything down into somber reflection, while the finale transforms that gravity into triumph, leaving audiences with a clear sense of resolution and spectacle.

Who it's for

Brass quintet ensembles at the high school or early college level who want substantial repertoire with dramatic range. This works equally well for advanced wind ensemble sections seeking focused chamber literature or contest/festival preparation.

How to get the most out of it

  • Balance the fanfare writing in the first movement so the two trumpets don't overwhelm the horns and lower brass; this is about celebration and arrival, not dominance.
  • Shape the "Elegy" movement with long, connected phrases. Brass players often default to shorter articulation, but this movement rewards legit singing and dynamic control.
  • Coordinate entrances carefully in the final movement, especially where parts overlap; clean ensemble attacks will make the victory theme land with authority.

How to use it

Pair this with shorter brass works to build a complete concert or festival set that showcases narrative depth alongside virtuosity. The three-movement design works beautifully as a standalone centerpiece or as a substantial anchor piece in a chamber music concert.

Skills your students will build

  • Balancing multiple melodic lines in close voicing
  • Sustaining long lyrical phrases on brass instruments
  • Ensemble coordination across contrasting tempos and textures
  • Stylistic interpretation of period-inspired fanfare writing
  • Dynamic control and expression within sustained notes

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