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The Last Rose of Summer: Concert Band Conductor Score

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The Last Rose of Summer Cover Image

The Last Rose of Summer: Concert Band Conductor Score

Traditional / arr. David Marlatt

Grade: 3

Item: 81-CB2479S

$10.00
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Description
This famous Irish folk melody is the "Groves of Blarney". It has been performed by many vocal soloists from the United Kingdom and around the world. This arrangement features a trumpet player playing much of the beautiful solo. The flute, baritone and alto saxophone also have some sections of melody. The lush chords and wandering countermelodies make this slow work a perfect change of pace on a concert.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 0
SKU: 81-CB2479S

More about this title

Why we love this

Marlatt's orchestration keeps the spotlight on the melody without overwhelming it, giving your trumpet section a chance to shine on one of the most recognizable tunes in the repertoire. The countermelody work and harmonic coloring elevate what could be a straightforward folk tune into something genuinely concert-worthy. At Grade 3, it's accessible enough for developing bands yet musically substantial enough to hold an audience.

What to expect

A gentle, nostalgic reverie that unfolds with warmth rather than drama. The familiar melody feels newly intimate when heard through a trumpet's voice, supported by rolling harmonies and wandering inner lines that create depth without density.

Who it's for

Concert bands at the Grade 3 level looking for repertoire that balances accessibility with genuine musical substance. Directors seeking a change-of-pace piece that doesn't sacrifice musicality or require soloists with advanced technical demands.

How to get the most out of it

  • Balance the trumpet solo prominently without letting the underlying band swell beneath it; use dynamic control from your woodwind and lower brass sections to create a true accompaniment rather than competition.
  • Shape the flute, baritone, and alto saxophone solo passages with the same care you'd give the trumpet line; these moments deserve similar legit and phrasing attention.
  • Let the slow tempo breathe. Resist rushing through the chord changes and countermelodies; lush harmonic writing only works when there's space for it to resonate.
  • Ensure your band maintains consistent intonation in the sustained chords that support the soloists; any pitch wavering will undermine the lyrical quality.

How to use it

Program this as a quiet moment in the second half of a concert, where it can provide genuine contrast to more energetic or technically demanding works. It works beautifully before or after a march or an uptempo selection, allowing audiences to settle into the lyrical character of the band sound.

Skills your students will build

  • Accompanying technique with emphasis on dynamic balance and harmonic support
  • Solo performance confidence on secondary instruments (trumpet, flute, saxophone, baritone)
  • Sustained tone quality and intonation in slow-tempo harmonic contexts
  • Phrasing of lyrical, song-like melodies in an instrumental setting
  • Attention to countermelody and inner voice independence

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