The Last Rose of Summer Cover Image

The Last Rose of Summer: Concert Band Conductor Score & Parts

$62.00 USD
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The Last Rose of Summer Cover Image

The Last Rose of Summer: Concert Band Conductor Score & Parts

Traditional / arr. David Marlatt

Grade: 3

Item: 81-CB2479

$62.00
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Description
This famous Irish folk melody is the "Groves of Blarney". It has been performed by many vocal soloists from the United Kingdom and around the world. This arrangement features a trumpet player playing much of the beautiful solo. The flute, baritone and alto saxophone also have some sections of melody. The lush chords and wandering countermelodies make this slow work a perfect change of pace on a concert.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-543-7
ISBN13: 978-1-55472-543-4
UPC: 685462004485
SKU: 81-CB2479

More about this title

Why we love this

Marlatt's orchestration makes smart use of your ensemble's color palette without overcomplicating the arrangement. The trumpet carrying the melody is a natural choice that gives a soloist something genuinely singable and exposed, while the countermelodies in flute, baritone saxophone, and alto saxophone prevent the texture from feeling thin during the slower passages.

What to expect

Contemplative and gentle, with the gentle wandering of chords underneath creating a lush harmonic bed. The familiar melody unfolds without rush, inviting the listener into a moment of reflection rather than spectacle.

Who it's for

Concert bands at the Grade 3 level who want a dignified, lyrical piece that doesn't demand technical fireworks but does require control and musical maturity. Soloists with warm, singing tone on trumpet will shine here, though you can also feature the alternate melody instruments if you prefer a different voice.

How to get the most out of it

  • Shape the trumpet solo line with long, connected phrases. This melody rewards sustained singing through the ends of phrases rather than letting the line droop.
  • Balance the accompanying chords carefully so they support rather than bury the lead voice. A common misstep with arrangements like this is letting the harmony wash over the melody.
  • Bring out the countermelodies in the flute and saxophones when they enter; they add textural interest and keep the ear engaged during this deliberate tempo.

How to use it

Program this as a concert centerpiece during the second half when you want to shift the mood from energy to introspection. It pairs well with more driving selections on either side and gives your ensemble a chance to demonstrate lyrical control alongside technical capability.

Skills your students will build

  • Sustained phrase shaping and legit singing tone on wind instruments
  • Balance and blend when accompanying an exposed solo line
  • Following a slow, deliberate tempo without dragging or rushing
  • Listening to countermelodies and inner voices as part of the full texture

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