The Isle of Calypso (from <I>The Odyssey</I> (Symphony No. 2)) Cover Image

The Isle of Calypso (from <I>The Odyssey</I> (Symphony No. 2)): Concert Band Conductor Score & Parts

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The Isle of Calypso (from <I>The Odyssey</I> (Symphony No. 2)) Cover Image

The Isle of Calypso (from The Odyssey (Symphony No. 2)): Concert Band Conductor Score & Parts

By Robert W. Smith

Grade: 4 (Medium)

Item: 00-BDM01042

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Description
The third movement of Robert W. Smith's second symphony The Odyssey, is serene in nature. Special effects depict the passing of time and add a mood of intrigue. Quiet and reflective, this is a sure winner on any program. Program it alone or with the other movements of The Odyssey, The Iliad (BDM00052) and The Winds of Poseidon (BD9923). (4:27)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Isle of Calypso (from The Odyssey (Symphony No. 2)): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Symphonic Band
Publisher: Alfred Music
Page Count: 146
UPC: 654979020394
SKU: 00-BDM01042

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith stands among America's most frequently performed composers for concert band and orchestra, with over 400 published works to his credit. He holds degrees from Troy State University and the University of Miami, and his original compositions have traveled across every continent, from prestigious concert halls to Olympic ceremonies and national television broadcasts.

Smith's symphonic works, particularly The Divine Comedy and The Odyssey, have become touchstones in the repertoire. Beyond composition, he maintains an active conducting and clinician schedule internationally, bringing his deep understanding of ensemble writing and musical storytelling to musicians worldwide.

Why we love this

The Isle of Calypso captures something rare: a movement that satisfies both the ear and the rehearsal space. Smith uses orchestration and special effects to establish a clear narrative arc without relying on bombast, giving your band a chance to shape something genuinely atmospheric. It's the kind of piece that reminds students why timbre and ensemble balance matter.

What to expect

Serene and contemplative, with an undercurrent of intrigue woven through special effects that evoke the passage of time. The writing feels spacious and unhurried, inviting the listener into a moment of quietude and reflection.

Who it's for

Band directors looking for a Grade 4 selection that brings sophistication without technical excess. This movement works equally well as a standalone concert feature or as part of a complete Odyssey cycle, making it flexible for programs of varying scope.

How to get the most out of it

  • Balance the special effects passages to enhance rather than overwhelm the melodic content; they're meant to suggest passing time, not distract from it.
  • Treat the quieter sections with intentional phrasing rather than letting them drift; restraint requires as much musical commitment as forte passages.
  • Rehearse the transitions between reflective and intrigue-filled moments so they feel organic to your ensemble's storytelling.

How to use it

Program this as a contrasting centerpiece on a concert that pairs it with more energetic works, or program all three movements of The Odyssey together for a narrative arc that showcases Smith's symphonic vision across the full concert hour. It also serves well as an encore when you need something that leaves audiences in a contemplative mood.

Skills your students will build

  • Sustaining tone quality in quiet, exposed passages
  • Blending special effects within the ensemble texture
  • Shaping long phrases with minimal vibrato and maximum control
  • Balancing accompaniment with featured melodic lines
  • Responding to conductor gestures in slower tempos

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