The Intermediate Pianist, Book 1 Cover Image

The Intermediate Pianist, Book 1: Piano Book

$13.99 USD
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The Intermediate Pianist, Book 1 Cover Image

The Intermediate Pianist, Book 1: Piano Book

An Intermediate-Level Piano Course Incorporating Repertoire, Technique, and Musicianship

By Karen Marshall and Heather Hammond

Item: 12-0571540015

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Description
This piano course has been specifically written to help students progress through the tricky intermediate stages of learning the piano. Through carefully chosen repertoire, quick studies, key technical information, and musicianship activities, students will develop the skills that they require. Note-reading will be improved, technique developed, and a greater understanding of style and music theory will be gained. The Intermediate Pianist, Book 1 is suitable for Grade 3 level pianists and forms part of the Piano Trainer series.

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Additional Details
Series: Faber Edition: Piano Trainer Series
Publisher: Faber Music
ISBN10: 0-571-54001-5
ISBN13: 978-0-571-54001-3
UPC: 9780571540013
SKU: 12-0571540015
Instrumentation: Piano

More about this title

Why we love this

This book refuses to coast through the intermediate years with padding. Hammond and Marshall have built a method that treats Grade 3 pianists as serious musicians, mixing repertoire selections with targeted technical work and genuine musicianship activities rather than filler exercises. The progression feels earned, not rushed.

What to expect

You're gaining confidence. The pieces sit comfortably under your hands now, but there's still room to grow technically and musically. Each study reveals something new about touch or phrasing you hadn't considered before.

Who it's for

Grade 3 pianists ready to move beyond early intermediate territory but still building foundational security. Teachers seeking a structured method that balances technique, repertoire, and musical understanding without overwhelming students.

How to get the most out of it

  • Work through the quick studies before tackling the full pieces. They isolate the technical demands you'll encounter in the repertoire, making the transition smoother.
  • Spend time with the music theory and style sections before performing each piece. Understanding the harmonic context transforms how you'll interpret phrasing and dynamics.
  • Use the repertoire selections as performance opportunities, not just practice material. These pieces are worth sharing with an audience once they're solid.

How to use it

Use this as the core of your intermediate curriculum, working through it sequentially over one or two years depending on your student's pace. Pair the repertoire selections with your studio's performance calendar, giving students concrete deadlines for the pieces that deserve an audience.

Skills your students will build

  • Note-reading fluency across both clefs
  • Hand position and posture for intermediate repertoire
  • Style recognition and period-appropriate interpretation
  • Music theory application in the context of pieces they're learning
  • Sight-reading strategies for Grade 3 level music

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