The Infection: Authentic Guitar TAB
Disturbed
Item: 00-PS-0012737
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Description
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More about this title
About the Composer: David Draiman
David Draiman founded Disturbed in 1996 and has served as the band's lead vocalist and primary creative force across nearly three decades of recording. His approach to songwriting combines heavy riffs with accessible vocal melodies, creating metal that reaches beyond the genre's traditional audience. Draiman's influence on modern metal vocals and composition has made him a central figure in the band's evolution from nu-metal pioneers to stadium-filling artists.
As a guitarist and composer, Dan Donegan has shaped Disturbed's sound through his distinctive riff writing and production choices. Mike Wengren's drumming provided the foundation for the band's rhythmic intensity across multiple albums before his passing in 2018. Together, these musicians created a catalog that demonstrates how heavy music can maintain both aggression and melodic sophistication.
Why we love this
Guitar students studying modern metal rarely encounter transcriptions this accurate and comprehensive. Having all 12 tracks from a single album in one TAB collection lets you build repertoire around a coherent artistic statement rather than picking through isolated songs. The riff designs across these tracks offer genuine pedagogical value: studying how Donegan constructs hooks within a heavy context teaches rhythmic precision and tone control that transfer well to other styles.
What to expect
Raw and deliberately crafted. These tracks move between crushing heaviness and moments of restraint, never letting the distortion alone carry the song. The riffs are built for both the recording studio and live venues, with enough clarity and spacing that each note lands with intention rather than disappearing into a wall of noise.
Who it's for
Guitar students seeking to expand beyond standard rock repertoire into contemporary metal. Players interested in studying how modern heavy music balances aggression with melody and structure. Guitarists who want transcriptions they can trust because they're based directly on the recorded performances rather than interpretations.
How to get the most out of it
- Lock in with a click track at moderate tempo first, then gradually increase speed. The syncopated grooves demand rhythmic precision that becomes automatic only through deliberate, patient practice.
- Dial in your tone before tackling the riffs. Heavy palm muting, controlled gain, and clear attack matter as much as left-hand accuracy. Spend time matching the recorded tones so you understand how the guitar sits in the mix.
- Study the recorded versions to catch dynamic variation within riffs. Written TAB captures what notes to play, but the album shows you when to lean into them and when to pull back slightly.
- Practice sections in small chunks (4-8 bars), working for clean execution at faster speeds before connecting full riffs. This approach reveals intonation and timing issues you'll miss at slower tempos.
How to use it
Offer this to students who already play rock and want to challenge themselves with heavier material. The single-album focus makes it ideal for a focused study unit where you explore how one band approaches composition across a full release. Alternatively, assign individual tracks as supplementary material for students interested in styles beyond your main curriculum.
Skills your students will build
- Palm muting techniques and control
- Syncopated rhythm recognition and execution
- Reading and performing riffs with irregular phrasing
- Dynamics within distorted guitar tones
- Left-hand synchronization with complex rhythmic patterns
- Tone shaping and gain management