Asylum Sheet Music Preview

Asylum: Authentic Guitar TAB

Disturbed

Item: 00-PS-0012736

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Description
This book contains authentic guitar notation and TAB to every song from this latest album by metal giants Disturbed. Titles: Remnants * Asylum * The Infection * Warrior * Another Way to Die * Never Again * The Animal * Crucified * Serpentine * My Child * Sacrifice * Innocence.

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Additional Details
Publisher: Alfred Music
Page Count: 120
SKU: 00-PS-0012736

More about this title

About the Composer: David Draiman

David Draiman is the lead vocalist and primary songwriter for Disturbed, the Illinois-based metal band that emerged in the late 1990s. His compositions blend heavy guitar riffs with layered vocal arrangements, creating a signature sound that combines groove metal with industrial and alternative influences. Draiman's approach to songwriting emphasizes lyrical depth alongside technical musicianship, making his work a study in how melody and aggression coexist in contemporary metal.

Why we love this

This collection gives guitarists access to the exact voicings and techniques that define Disturbed's sound, from the crushing riff work to the rhythmic precision required to lock in with a full band. The 12-track album spans multiple song structures and tuning approaches, offering intermediate to advanced players real challenges in dynamics, palm muting, and syncopated rhythms. Authentic tabs mean students learn the actual parts rather than approximations, building confidence in their ability to execute professional-level arrangements.

What to expect

These songs deliver the heavy, propulsive energy characteristic of modern groove metal, combining crushing low-end weight with moments of controlled intensity and occasional melodic breathing room. The guitar work sits between brutality and precision, demanding both raw power and technical control to capture authentically. Rhythmically, the songs push against the beat without losing cohesion, creating tension that defines the album's overall character.

Who it's for

Guitarists with solid fretboard knowledge and the stamina for power chord sequences and syncopated rhythmic figures will find this book directly applicable to their playing. Players interested in metal composition, groove-based songwriting, and how modern bands structure songs around guitar riffs will gain insights into professional arrangement. This resource works equally well for solo transcription study or as reference material for band rehearsals.

How to get the most out of it

  • Establish a consistent picking attack before diving into the riffs; the definition between palm-muted and open notes makes or breaks the feel of these songs.
  • Pay attention to the tuning specifications for each track, as Disturbed frequently uses alternate tunings that dramatically affect tone and fingering positions.
  • Record yourself playing along with the original recordings to develop the rhythmic pocket these compositions demand; the groove sits in specific places that sheet alone won't reveal.
  • Break down the heavier sections measure by measure rather than learning entire verses at tempo; building muscle memory at 60% speed prevents bad habits.

How to use it

Guitarists preparing for auditions or recitals can draw from this collection to perform material that reflects their musical interests while building technical facility. Teachers working with students interested in contemporary metal can use specific tracks to study song structure, arrangement, and the relationship between vocals and instrumental lines. High school or college ensemble programs exploring modern genres will find this material credible and motivating for electric guitar-focused students.

Skills your students will build

  • Reading and executing authentic guitar TAB with precision
  • Palm muting and dynamic control across power chord sequences
  • Playing in alternate tunings and understanding how tuning affects fingering
  • Syncopated rhythmic accuracy in groove-based metal structures
  • Coordinating picking technique with rhythmic feel rather than strict metronomic time
  • Translating studio recordings into live performance technique

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