The Haunted Clock Cover Image

The Haunted Clock: Late Elementary Piano Sheet

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The Haunted Clock Cover Image

The Haunted Clock: Late Elementary Piano Sheet

By Megan Smania

Item: 98-CW1001

$2.50
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Description
Wonderful imagery! The opening of this piece speedily tick-tocks along (in toccata style) with mysterious accidentals. Then stop! It's time for a left-hand solo, playing the famous tune of the "Big Ben" chimes. Listen, and see if the clock strikes twelve (or more).

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Additional Details
Series: Piano Student Composition Winners
Publisher: The FJH Music Company, Inc.
UPC: 674398217250
SKU: 98-CW1001

More about this title

Why we love this

Smania captures something rare here: a piece that's genuinely fun to perform while demanding real musical thought. The toccata writing keeps hands moving with purpose, and the structural surprise of the left-hand "Big Ben" solo gives students a satisfying moment to shine. It's the kind of piece students remember playing years later.

What to expect

A mischievous wind-up of mechanical precision that suddenly opens into something theatrical and grand. The piece lives in that delicious space between playfulness and genuine drama, where a ticking clock becomes an event.

Who it's for

Late elementary pianists ready to move beyond simple melodies into character pieces with real compositional sophistication. This works beautifully for students drawn to program music or those who need a narrative hook to stay engaged during practice.

How to get the most out of it

  • Keep the opening tick-tock rhythmically precise but light; think of the hands as clock mechanisms rather than heavy percussion. The tempo should feel inevitable, not hurried.
  • Shape the mysterious accidentals with slight dynamic emphasis so they register as harmonic color rather than mistakes. Let listeners hear the chromatic weaving.
  • When the left hand takes over with the "Big Ben" melody, give it room to breathe. This is the dramatic moment; support it with a genuine shift in character from the opening frenzy.
  • Listen carefully to where the clock actually "strikes." The notation will guide you, but the thrill comes from landing those final chimes with clarity and control.

How to use it

Place this in a spring recital or end-of-year student showcase where it can anchor a set of character pieces. It also works as a standout solo for a student who's been building stamina and wants to demonstrate musicianship beyond technical facility.

Skills your students will build

  • Executing toccata-style repeated note patterns with consistent tone and control
  • Reading and executing accidentals fluently within a single key context
  • Distinguishing between passage work and melody; balancing textural layers
  • Interpreting structural silence and dramatic contrast on the page
  • Building dynamic expression within a programmatic narrative

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