The Great, Awesome Go-Cart Race Cover Image

The Great, Awesome Go-Cart Race: Concert Band, Full Score

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The Great, Awesome Go-Cart Race Cover Image

The Great, Awesome Go-Cart Race: Concert Band, Full Score

By Jared Spears

Grade: 1

Item: 36-20105763

$7.00
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Description
This colorful, programatic work uses lots of percussion effects to recreate the sounds of a professional race car circuit, only with go carts! Engines start. The starters' pistol begins the race. The crowd gasps as cars collide and then cheers when no one is hurt. It was amazing! Everyone won! Awesome!

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Additional Details
Series: Great Works Publishing
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270541-5
ISBN13: 979-8-89-270541-7
UPC: 659359918339
SKU: 36-20105763
Instrumentation: Concert Band

More about this title

About the Composer: Jared Spears

Jared Spears

Jared Spears brings decades of hands-on experience across composition, percussion, and music education. A native of Chicago, he earned degrees from Northern Illinois University, the Cosmopolitan School of Music, and Northwestern University, where he studied under distinguished composers including Alan Stout and Anthony Donato. Throughout his 32 years on the faculty at Arkansas State University, Spears taught theory, history, composition, percussion, and band at every level from elementary through college, then sustained a prolific composing and conducting career after his retirement in 1999.

Spears has created over 250 original works for band, choir, orchestra, and chamber ensembles, earning recognition including the Faricy Award for Creative Music, the University President's Award, and multiple ASCAP citations. His music has been performed and recorded internationally, and he has led festivals, clinics, and guest residencies across North America and Europe. His catalog spans the full spectrum of ensemble types and difficulty levels, making him a trusted voice in accessible, engaging band literature.

Why we love this

This piece captures the infectious energy of a young audience's excitement while remaining completely manageable at Grade 1. Spears nails the balance between colorful sound effects (engine starts, crash sounds, crowd reactions) that hold students' attention and straightforward musical writing that lets inexperienced players focus on ensemble unity rather than technical hurdles. It's the kind of opener that gets an audience smiling before the conductor even raises the baton.

What to expect

Pure, unfiltered excitement. Engines roar to life, the race begins, metal collides, and tension breaks into relief and celebration. The music captures the sensory chaos of a go-cart race with playful percussion colors and straightforward melodies that feel both fun and purposeful.

Who it's for

Beginning concert bands that need repertoire with immediate appeal and genuine entertainment value. This works equally well for middle school groups finding their footing or elementary all-county ensembles looking for a crowd-pleasing selection.

How to get the most out of it

  • Establish the percussion effects clearly in sectionals before full ensemble rehearsal. The starter's pistol, engine sounds, and crash effects are the narrative anchor, so each percussionist needs to own their moment.
  • Balance the crowd reactions (cheers and gasps) so they enhance rather than overshadow the main musical lines. Think of them as seasoning, not the main course.
  • Let the younger players feel the joy in this piece. Their enthusiasm will read as authenticity to the audience, not inexperience.

How to use it

Open a spring concert with this, or place it early in a young band festival to build momentum and audience engagement. It pairs well alongside other accessible Grade 1 works as a program centerpiece that demonstrates what young musicians can achieve musically and dramatically.

Skills your students will build

  • Following conductor cues and ensemble precision in a piece with distinct sections and sound effects
  • Balancing melodic lines with percussion color and effects
  • Interpreting programmatic content through musical performance
  • Basic rhythmic independence across the ensemble

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