The Great, Awesome Go-Cart Race Cover Image

The Great, Awesome Go-Cart Race: Concert Band, Score and Parts

$55.00 USD
Sale price  $55.00 USD Regular price 
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The Great, Awesome Go-Cart Race Cover Image

The Great, Awesome Go-Cart Race: Concert Band, Score and Parts

By Jared Spears

Grade: 1

Item: 36-20100763

$55.00
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Description
This colorful, programatic work uses lots of percussion effects to recreate the sounds of a professional race car circuit, only with go carts! Engines start. The starters' pistol begins the race. The crowd gasps as cars collide and then cheers when no one is hurt. It was amazing! Everyone won! Awesome!

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Additional Details
Series: Great Works Publishing
Publisher: Keiser Productions, Inc.
UPC: 746241290526
SKU: 36-20100763
Instrumentation: Concert Band

More about this title

About the Composer: Jared Spears

Jared Spears

Jared Spears spent 32 years on the faculty at Arkansas State University, where he taught composition, theory, history, and conducting across all educational levels before retiring as Professor of Music Emeritus in 1999. A Chicago native, he earned degrees from Northern Illinois University and the Cosmopolitan School of Music, and completed his doctorate in composition at Northwestern University under mentors including Alan Stout and Anthony Donato.

Since stepping back from full-time teaching, Spears has maintained an prolific composing and conducting schedule. His catalog includes over 250 original works for band, choir, orchestra, and chamber ensembles, many published internationally. His achievements include the Faricy Award for Creative Music from Northwestern, multiple ASCAP awards, citations of excellence from the National Band Association, and recognition as an Outstanding Educator of America. His music has been performed and recorded worldwide, and he has conducted festivals, camps, and clinics across North America and Europe.

Why we love this

This piece captures the infectious energy of young musicians discovering percussion colors and collaborative storytelling. The Grade 1 accessibility combined with programmatic depth means your entire band stays engaged from the engine rumble to the final cheer, and the novelty context gives you permission to have genuine fun in rehearsal without sacrificing musicianship.

What to expect

Colorful and theatrical, this go-cart race unfolds like a vivid cartoon brought to life through instrumental sound. You hear the mechanical urgency of revving engines, the crack of the starting pistol, the chaos of a collision, and finally the joy of a community that's just witnessed something thrilling and safe.

Who it's for

Grade 1 bands with developing rhythmic confidence and a solid percussion section. This piece works beautifully for programs that want to celebrate young musicians' growing skills while keeping rehearsals energized and fun, and it lands perfectly for family concerts, young people's concerts, or end-of-year celebrations.

How to get the most out of it

  • Assign your most enthusiastic percussionists to the sound effects so they own the narrative; their energy directly shapes how the audience experiences each race moment.
  • Balance the printed dynamics with the natural volume of your percussion effects; you may need to hold back some wind parts during the crash sequences so the dramatic sound design cuts through.
  • Drill the ensemble's rhythmic alignment during the acceleration passages so the collective "engine" sound feels unified and builds momentum rather than scattering.
  • Rehearse the crowd reactions (gasps, cheers) as an ensemble gesture so they feel genuine rather than self-conscious; treat them like any other musical phrase.

How to use it

Open a family concert with this piece to immediately capture the audience's attention and signal that the evening will be energetic and inclusive. It pairs well alongside other novelty or character pieces at the Grade 1-2 level, and it's ideal for young people's concerts where programmatic storytelling keeps younger listeners invested.

Skills your students will build

  • Responding to visual and aural cues from a conductor while managing complex percussion effects
  • Sustaining rhythmic precision during repetitive engine-start figures
  • Balancing dynamic control so melodic material speaks clearly against percussion layers
  • Ensemble cohesion through shared narrative intention rather than note-by-note accuracy alone

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