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The Gift of Music: SAB Choral Octavo

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The Gift of Music Cover Image

The Gift of Music: SAB Choral Octavo

(You Are a Part of Me)

Words and music by Sally K. Albrecht

Item: 00-47672

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Description
Celebrate the connection we feel when we sing together. The heartfelt message at the center of this piece comes to life with sensitive choral writing and a touching text. Especially meaningful at graduation and end-of-year performances. A free sign language video is available online.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Gift of Music: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081543659
SKU: 00-47672

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades as a composer, conductor, and clinician with particular expertise in integrating movement into choral performance. Her catalog of more than 600 published works and 75 musicals and songbooks has made her a staple in school choral programs nationwide. She has served as Director of School Choral and Vocal Publications for major educational publishers and has conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. Since 1987, she has been a consistent recipient of the ASCAP Special Music Award.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. She currently resides in Wake Forest, North Carolina, with her husband and fellow composer Jay Althouse. In recent years, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.

Why we love this

Albrecht writes with remarkable sensitivity to what makes choral singing meaningful, and this octavo captures that gift perfectly. The text and music work in genuine partnership to honor the emotional weight of endings and transitions, making it a natural choice for moments when your students need to feel the significance of what they've shared. The free sign language video extends the piece's reach and reinforces its message about connection across all our ways of expressing music.

What to expect

The piece radiates sincerity and warmth without sentimentality. Singing it creates a palpable sense of togetherness, a moment where the choir recognizes and celebrates the bonds formed through shared musical experience.

Who it's for

Directors programming graduation or end-of-year concerts will find this piece speaks directly to the occasion. It works equally well for mixed choirs at the middle school, high school, or community level, and the SAB voicing makes it accessible to ensembles without strong soprano depth.

How to get the most out of it

  • Balance the three parts carefully so the text remains clear; SAB voicing can obscure lyrics if the soprano line isn't allowed to project slightly.
  • Use the recorded accompaniment to lock in the harmonic foundation, then gradually reduce reliance on it during rehearsals to build ensemble independence.
  • Incorporate the sign language video strategically in rehearsal to show students how movement and gesture deepen the emotional impact of the text.

How to use it

Position this as a closing number or poignant transition in a graduation concert to give the audience a chance to reflect on what the ensemble has accomplished. It also works beautifully as the emotional anchor in a multi-piece finale, especially when paired with more celebratory selections.

Skills your students will build

  • Singing with expressive phrasing and nuance in a text-driven arrangement
  • Balancing three independent vocal lines while maintaining ensemble blend
  • Connecting emotional intention to vocal production in a secular sacred-like context

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