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The Four Quarters: String Quartet Score

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The Four Quarters Cover Image

The Four Quarters: String Quartet Score

By Thomas Adès

Item: 12-0571540112

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Description
Thomas Adès's second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement "Nightfalls," whilst playful pizzicati abound in "Serenade--Morning Dew." A somber third movement, "Days," is underpinned by a searching ostinato before the work breaks free from conventional time in "The Twenty-Fifth Hour," the glittering finale which swings and dances in the unusual time signature of 25/16.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-54011-2
ISBN13: 978-0-571-54011-2
UPC: 9780571540112
SKU: 12-0571540112

More about this title

About the Composer: Thomas Adès

Thomas Adès is a British composer, conductor, and pianist born in 1971 whose work spans opera, orchestral music, and chamber composition. A defining figure in contemporary classical music, Adès combines rigorous formal architecture with vivid orchestration and harmonic invention, drawing on influences from Schoenberg to Stravinsky while forging an entirely personal voice.

Why we love this

The Four Quarters rewards the investment quartet ensembles make in modern repertoire. Adès writes idiomatically for strings, creating textures that are both technically demanding and genuinely beautiful; the work's 20-minute arc and thematic coherence make it substantial enough for recital programming or competition, yet each movement has distinct character that keeps ensemble and audience engaged.

What to expect

The Four Quarters unfolds like a day observed through a prism. It opens in hushed reflection, moves through moments of delicate humor and drama, then ascends into a shimmering, rhythmically intoxicating finale that seems to exist outside conventional time. Throughout, Adès's harmonic language feels both ancient and utterly modern.

Who it's for

Advanced amateur and professional string quartet ensembles seeking contemporary repertoire with genuine artistic weight. This work is equally suited to conservatory-level chamber ensembles, competition participants, and quartets building 21st-century programming.

How to get the most out of it

  • Balance the glassy harmonics in "Nightfalls" by listening across all four voices; these shimmer only when every player commits to precise intonation and consistent vibrato control.
  • Treat the pizzicati in "Serenade—Morning Dew" as rhythmic conversation rather than textural filler; clarity and ensemble articulation define the movement's playful character.
  • Approach the ostinato foundation in "Days" as a meditation in patience; the searching quality emerges when the figure remains hypnotic and undisturbed beneath shifting harmonic material.
  • Embrace the metrical freedom of "The Twenty-Fifth Hour" after rehearsing the 25/16 signature precisely; understanding the mathematical grid first lets you swing and dance within it convincingly.

How to use it

Program this as the centerpiece of a contemporary chamber recital, or pair it with earlier 20th-century quartets (Bartók, Berg, Shostakovich) to frame the evolution of the form. For festivals and competitions, The Four Quarters commands respect as a substantial, award-winning work that showcases ensemble maturity and interpretive sophistication.

Skills your students will build

  • Intonation control in extended tertian and non-tertian harmonic structures
  • Rhythmic precision in unusual meters (25/16) and polyrhythmic textures
  • Tonal clarity and independence within complex six-and eight-part string writing
  • Interpretive control of timbre through varied articulation, dynamics, and vibrato
  • Ensemble balance between soloistic moments and unified textural effects

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