The Edge of Glory Sheet Music Preview

The Edge of Glory: Concert Band Conductor Score & Parts

As performed by Lady Gaga

Words and music by Fernando Garibay, Stefani Germanotta, and Paul Blair / arr. Reid Thomas

Grade: 2 (Easy)

Item: 00-PK-0005507

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Description
"The Edge of Glory" was a #3 hit on the US Billboard Hot 100. It was the second single from Lady Gaga's second studio album, Born This Way. This hip pop song is sure to entertain both your students and audience alike!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Edge of Glory: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Hot Pop Band
Publisher: Alfred Music
Page Count: 126
SKU: 00-PK-0005507

More about this title

About the Composer: Fernando Garibay

Fernando Garibay is a Colombian-American music producer and composer known for his work across pop, electronic, and film scoring. He has collaborated with major artists and producers to craft radio-friendly hits that balance commercial appeal with musical craftsmanship. His ability to translate pop sensibilities into instrumental arrangements makes his compositions valuable teaching tools for ensemble musicians exploring contemporary music.

Why we love this

Reid Thomas's arrangement captures the song's infectious energy without oversimplifying the harmonic and rhythmic drive that made the original a chart success. At Grade 2, students play something recognizable and engaging rather than a watered-down approximation, which sustains motivation through rehearsal and performance. The pop context also invites your ensemble to explore contemporary songwriting structures and production techniques alongside traditional wind band repertoire.

What to expect

Energetic and modern, with the propulsive drive and melodic accessibility of a radio hit. The arrangement maintains the song's confident attitude while giving wind players a chance to own the parts and feel the satisfaction of playing something current and recognizable.

Who it's for

Concert bands at the easy level seeking contemporary repertoire that resonates with student musicians and audiences alike. Directors programming pop arrangements alongside classical works will find this a natural fit for variety concerts, pops nights, or end-of-year celebrations.

How to get the most out of it

  • Keep the rhythmic pulse locked and driving throughout. The song's momentum depends on consistent time feel and a tight rhythm section, so invest rehearsal time in synchronizing drums, bass, and foundational harmonic parts.
  • Balance the soloistic moments against the full ensemble. Certain sections feature featured voices; highlight these without letting them pull focus away from the overall groove and texture.
  • Articulate cleanly on syncopated figures, especially in the higher woodwinds. Precision in these rhythmic hits gives the arrangement its contemporary edge.
  • Listen to Lady Gaga's original recording alongside ensemble rehearsals. Familiarity with the source material helps students internalize the song's character and phrasing.

How to use it

Schedule this on a concert pairing it with other pop or contemporary band pieces to create a themed set that appeals broadly. It works equally well as a standalone feature or as a finale that sends audiences out with high energy and familiar turf.

Skills your students will build

  • Syncopated rhythm reading in contemporary pop contexts
  • Driving pulse and groove maintenance in ensemble settings
  • Articulation precision on rhythmic figures
  • Balancing featured instrumental lines within group texture

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