The Edge of Glory Cover Image

The Edge of Glory: Concert Band Conductor Score

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The Edge of Glory Cover Image

The Edge of Glory: Concert Band Conductor Score

As performed by Lady Gaga

Words and music by Fernando Garibay, Stefani Germanotta, and Paul Blair / arr. Reid Thomas

Grade: 2 (Easy)

Item: 00-34086S

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Description
"The Edge of Glory" was a #3 hit on the US Billboard Hot 100. It was the second single from Lady Gaga's second studio album, Born This Way. This hip pop song is sure to entertain both your students and audience alike!

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Additional Details
Series: Hot Pop Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081431291
SKU: 00-34086S

More about this title

About the Composer: Fernando Garibay

Fernando Garibay is a Grammy Award-winning producer and songwriter who has shaped the sound of contemporary pop music across multiple decades. His work with Lady Gaga on the Born This Way album demonstrated his ability to craft songs that balance commercial appeal with artistic substance, combining electronic production sensibilities with memorable melodic hooks.

Garibay's production credits span collaborations with major pop artists and his influence extends across film and television scoring. His contributions to "The Edge of Glory" showcase his skill at building dynamic arrangements that translate effectively across different ensemble settings.

Why we love this

Reid Thomas has created an arrangement that captures the infectious energy of the original while remaining fully accessible to Grade 2 ensembles. The piece delivers genuine entertainment value without oversimplifying the harmonic or rhythmic content, making it rewarding for both students and audiences. Programming a contemporary pop hit at this level demonstrates to students that concert band repertoire reflects living, evolving musical culture.

What to expect

Energetic and direct, with the rhythmic drive and accessibility of the original hit. The arrangement captures the song's forward momentum while maintaining clarity across all instrumental voices, creating a performance that feels contemporary and vital rather than didactic or watered down.

Who it's for

Grade 2 concert bands seeking contemporary repertoire that engages students and builds audience enthusiasm. Directors programming concerts that balance classical and traditional band music with current popular material will find this arrangement meets both musical and engagement goals. Advanced middle school bands and beginning high school ensembles can program this confidently.

How to get the most out of it

  • Balance the main melody across sections so the forward-driving hook remains clear even when layered accompaniment figures enter. Test blend in full ensemble before rehearsing parts separately.
  • Lock the rhythmic pulse early. The groove of the original depends on tight synchronization; conduct with a steady hand and establish confidence in the click or tempo before moving into musical refinement.
  • Shape phrases through dynamic contrast rather than tempo variation. Grade 2 ensembles benefit from explicit cues marking softer sections and building intensity toward climactic moments.
  • Give yourself conducting space to show the band the character shift between sections. This pop arrangement likely contains distinct musical sections; mark your score clearly so transitions feel intentional rather than abrupt.

How to use it

Position this as a contrast piece within a concert that includes more traditional band repertoire. Its familiarity and energy make it effective as an opener to establish audience interest or as a closer to send students and listeners out on an upbeat note. Consider pairing it with one or two other contemporary selections to create a thematic concert or showcase modern band writing.

Skills your students will build

  • Reading and executing pop-influenced rhythmic figures and groove patterns
  • Maintaining steady tempo under rhythmic complexity
  • Balancing melody and accompaniment in layered textures
  • Understanding contemporary song structure and sectional organization
  • Responding to conductor cues in a non-traditional harmonic context

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