The Drop (Mixed Choir) Cover Image

The Drop (Mixed Choir): Mixed Voices (SSAATTBB)

$4.00 USD
Sale price  $4.00 USD Regular price 
Skip to product information
The Drop (Mixed Choir) Cover Image

The Drop (Mixed Choir): Mixed Voices (SSAATTBB)

By Andris Dzenitis /Words by Mirza Ghalib (1797-1869)

Item: 98-MB2360

$4.00
Shipped

One moment…

Description
Effective choral word-painting combine with etheral sounds in this popular work by Dzenitis. Regularly used as a competition piece by choirs around the world. Suitable for intermediate to advanced choirs.

The Drop (Mixed Choir): Mixed Voices (SSAATTBB) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Musica Baltica
Page Count: 8
ISBN10: 0-265-01026-8
ISBN13: 979-0-265-01026-5
UPC: 9790265010265
SKU: 98-MB2360
Instrumentation: (SSAATTBB)

More about this title

About the Composer: Andris Dzenitis

Andris Dzenitis is a Latvian composer whose choral works have gained international recognition for their sophisticated text-painting and innovative harmonic language. His compositions span sacred and secular genres, with a particular gift for creating ethereal, contemporary sound worlds that challenge and inspire singers at all levels.

Why we love this

Dzenitis writes word-painting that feels organic rather than illustrative, letting the text dictate the harmonic and textural choices without overselling the imagery. The piece sits perfectly at the intermediate-advanced level, offering real sophistication without requiring soloists or unusual vocal demands, making it accessible for strong high school programs and collegiate choirs alike. Its steady presence in competition circuits speaks to its musical substance and the genuine satisfaction singers get from bringing it to life.

What to expect

The Drop suspends you in a soundworld that feels weightless and contemplative, as if witnessing something delicate and precious. Dzenitis's harmonic choices create an ethereal quality that lingers in the ear, while his word-painting transforms the text into musical gesture without ever becoming heavy or obvious.

Who it's for

This work suits intermediate to advanced mixed choirs with secure musicianship and enough sectional strength to handle eight independent parts. It appeals to competitive programs looking for a piece with literary and musical substance, as well as choirs programming concert seasons that call for something contemporary without abandoning accessibility.

How to get the most out of it

  • Pay close attention to how Dzenitis distributes the text across voices in the word-painting sections; balance clarity of message with the ethereal overall sound by adjusting dynamic shaping rather than separating the voices texturally.
  • Shape the harmonic progressions with long-line thinking rather than chord-by-chord conducting; the ethereal quality emerges from how smoothly the voices move through the harmonic language, not from precision in attack.
  • Secure blend early in rehearsal by using vowel unification across all eight parts during passages where harmony shifts quickly; this prevents the piece from sounding fragmented when the texture is full.
  • Trust the silence and rests within the piece; they create the ethereal quality as much as the sustained pitches do, so mark them clearly in scores and maintain ensemble awareness through them.

How to use it

Program this as a concert centerpiece in a set of contemporary choral works, or as a featured piece in a competition that calls for artistic depth. Its intermediate-advanced difficulty and approximately 8-page length make it ideal for spring concerts or festival competitions where you want to showcase your choir's blend and musicianship without requiring massive rehearsal investment.

Skills your students will build

  • Sustaining ethereal blend across eight independent parts
  • Reading and performing word-painting through harmonic language
  • Maintaining ensemble awareness through rests and silence
  • Balancing clarity of text with integrated harmonic color

You May Also Like