The Complete Jazz Keyboard Method: Intermediate Jazz Keyboard Cover Image

The Complete Jazz Keyboard Method: Intermediate Jazz Keyboard: Keyboard/Piano CD

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The Complete Jazz Keyboard Method: Intermediate Jazz Keyboard Cover Image

The Complete Jazz Keyboard Method: Intermediate Jazz Keyboard: Keyboard/Piano CD

By Noah Baerman

Item: 00-17859

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Description
This book is great for keyboardists who have learned the basics of jazz harmony and improvisation. Topics include a brief review of concepts and skills from Beginning Jazz Keyboard, and continue with the modes of the major scale, chord extensions, making the changes, using chromatic tones and guide tones, chord substitution, "rhythm changes," the blues, altered dominant chords and more. Continuing the format of Beginning Jazz Keyboard, new concepts are reinforced by etudes and songs for practice. Packed with hundreds of harmony and improvisation ideas, this book is essential for any serious student of jazz keyboard. The CD includes examples and opportunities to play along.

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Additional Details
Series: Complete Method
Publisher: Alfred Music
ISBN10: 0-7390-2586-4
ISBN13: 978-0-7390-2586-4
UPC: 038081159676
SKU: 00-17859

More about this title

About the Author: Noah Baerman

Noah Baerman has established himself as a trusted voice in jazz keyboard pedagogy, writing methods that balance systematic harmonic instruction with practical musicianship. His approach to sequencing intermediate concepts reflects years of working directly with students navigating the leap from basic jazz literacy to genuine improvisation.

Why we love this

Baerman structures this intermediate book to bridge the gap between foundational concepts and real musical application. The etudes and songs tied directly to each new topic mean students aren't just learning theory in isolation; they're immediately playing through the ideas, which accelerates the transition from student to working jazz pianist.

What to expect

Working through this book feels like learning to speak jazz fluently. Early sections review the fundamentals, building confidence before introducing modes, extensions, and chromatic pathways that open up the harmonic landscape. The combination of written exercises and play-along tracks creates a natural rhythm between intellectual understanding and visceral, embodied playing.

Who it's for

Intermediate jazz pianists and keyboardists who've completed foundational study and are ready to develop the harmonic sophistication and improvisational vocabulary that working jazz musicians use. This book is essential for students preparing for advanced study, jam session participation, or professional work.

How to get the most out of it

  • Slow down the recorded accompaniment when first learning a new concept. Most players rush through chord extensions and guide tones; working at half or three-quarter speed locks in voice leading before muscle memory crystallizes bad habits.
  • Isolate the left hand voicings from the melody exercises. This book builds toward comping under your own solo, so practice the harmony moves without the right-hand line, then layer them together.
  • Loop individual etudes or song changes rather than playing through them once. Repetition builds the fluency needed to hear and play these harmonic ideas in real time.
  • Record yourself playing along with the CD and listen back specifically for clarity of guide tone movement. This trains your ear to hear what separates adequate changes from confident ones.

How to use it

Use this as the core text for a semester or year-long intermediate jazz piano class. Its structured progression and built-in reinforcement through etudes and songs allows students to advance at a consistent pace while maintaining focus on harmonic mastery rather than jumping between disconnected concepts.

Skills your students will build

  • Modes of the major scale and their applications in improvisation
  • Chord extensions (9ths, 11ths, 13ths) and voice leading
  • Guide tone lines and chromatic connecting tones
  • Chord substitution techniques including tritone and modal substitution
  • Blues changes and their variations
  • Altered dominant chord extensions and resolution
  • Comping rhythms and accompaniment voicing
  • Making harmonic changes in real time during improvisation

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