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The Complete Idiot's Guide to Classical Guitar Favorites: Guitar Book & 2 Enhanced CDs

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The Complete Idiot's Guide to Classical Guitar Favorites Cover Image

The Complete Idiot's Guide to Classical Guitar Favorites: Guitar Book & 2 Enhanced CDs

30 Great Classical Guitar Favorites -- You CAN Play Your Favorite Classical Music!

By Thomas Kikta

Item: 00-34639

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The Complete Idiot's Guide to Classical Guitar Favorites is perfect for any pop, rock, folk, or blues guitarist who wants to explore classical music. Thomas Kikta of Duquesne University will teach you classical fingerstyle technique in the context of some of the most beautiful classical guitar repertoire ever assembled. Music in written in standard notation and TAB.This book comes with two enhanced CDs that contain recordings of every piece and software that lets you play along, slow tracks down, and loop sections for practice. Composers covered include Sor, Carcassi, Bach, Aguado, Tarrega, Albeniz, Pachelbel, Mason Williams, and Jay Ungar.
". . . this is a nicely produced and well-thought out book containing some beautiful guitar repertoire music and is presented in a lighthearted and easy to read fashion."
---Steve Marsh, Classical Guitar magazine

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Sample Pages

Sample Audio
1 Listen to Etude in E Minor --:--
2 Listen to Exercise No 22 Op 35 --:--
3 Listen to Leyenda --:--

Listen to Etude in E Minor

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Additional Details
Series: Complete Idiot's Guide
Publisher: Alfred Music
Page Count: 176
ISBN10: 0-7390-6875-X
ISBN13: 978-0-7390-6875-5
UPC: 038081386652
SKU: 00-34639

More about this title

About the Author: Thomas Kikta

Thomas Kikta

Thomas Kikta directs the Classical Guitar and Recording Arts and Sciences programs at Duquesne University, where he has shaped generations of guitarists and audio engineers. A student of the legendary Aaron Shearer, Kikta co-authored the third edition of "Classic Guitar Technique Vol. 1" and has performed nationally with world-class ensembles and soloists. His work as a recording artist, engineer, and advocate for classical guitar education has earned him recognition across conservatories, festivals, and music conferences throughout the country.

Beyond the concert stage, Kikta serves as vice president of the Aaron Shearer Foundation and co-founded the Guitar Society of Fine Arts in Pittsburgh. He endorses instruments and equipment from Alhambra Guitars, D'Addario Strings, Line 6, and Fishman Electronics, and has recorded extensively as a performer and producer with jazz and contemporary music ensembles.

Why we love this

This book bridges a genuine gap for guitarists trained in rock, pop, or folk styles who are curious about classical repertoire but intimidated by the transition. Kikta teaches fingerstyle technique through actual beautiful pieces rather than exercises, making the classical guitar world immediately musical and achievable. The dual-format notation (standard and TAB) respects where players are coming from while the enhanced CDs with practice software remove barriers to independent learning.

What to expect

Like stepping into a room lined with masterworks you suddenly recognize as compositions, not distant classical abstractions. The repertoire spans centuries and styles, from Bach's architecture to the lyrical warmth of Tarrega and Albeniz, creating a journey that feels both reverent and inviting. Fingerstyle technique emerges organically as you chase the sound of the recordings rather than drilling isolated techniques.

Who it's for

Pop, rock, folk, and blues guitarists ready to explore classical music without abandoning their existing skills or comfort level. Players who read TAB fluently but want to build standard notation literacy in a musical context. Self-directed learners who benefit from recorded models and adjustable playback software.

How to get the most out of it

  • Lock the tempo before unpacking fingerstyle patterns. Use the recorded accompaniment at full speed to internalize pulse, then work the book's pieces at slower tempos available in the CD software.
  • Approach the transition from pick to fingers gradually. Begin with simpler pieces where finger independence feels natural, and return to earlier arrangements once your right-hand stamina improves.
  • Loop challenging passages in the software rather than running full pieces repeatedly. Target the specific measures where fingering coordination breaks down, then integrate them into the larger musical line.
  • Reference the TAB notation as a learning tool, not a crutch. Use it to decode positions quickly, but shift your reading weight toward standard notation as your classical literacy grows.

How to use it

Assign repertoire from this collection to guitarists during a semester focused on expanding musical literacy beyond their primary genre. Individual pieces work well as recital selections that demonstrate technical growth and musical maturation. For group guitar classes, this book provides a shared reference point for discussing classical guitar history and technique across different playing levels.

Skills your students will build

  • Classical fingerstyle technique (right-hand finger assignment and control)
  • Reading standard notation on the treble clef
  • Left-hand positioning and finger independence across extended passages
  • Interpretation of articulation and phrasing in notated music
  • Harmonic awareness through multi-voice classical writing
  • Transposing and adapting arrangements to individual comfort zones

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