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The Classics: Piano Book

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The Classics: Piano Book

Here Are the Most Popular Classics of All Time, Tastefully Arranged for Grade 4

Arranged by Allan Small

Level: Intermediate

Item: 00-523

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Description
25 of the most popular classics are tastefully arranged for piano. Allan Small is noted for his classical transcriptions and his ability to preserve the rich sound of the original while keeping the technical difficulties to a minimum.

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Additional Details
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-2856-1
ISBN13: 978-0-7390-2856-8
UPC: 038081027104
SKU: 00-523

More about this title

About the Arranger: Allan Small

Allan Small

Allan Small (born Elias Schreibman) began piano study at age 11 and quickly moved into professional performance, playing with dance bands in Catskill Mountain hotels before directing his own ten-piece orchestra at the Arcadia Ballroom in Manhattan. Largely self-taught in harmony, orchestration, counterpoint, and thematic development, he built a career arranging for major figures including Andre Kostelanetz, Morton Gould, and Paul Whiteman, with his Kostelanetz scores archived in the Library of Congress.

Small founded Schreibman Press in the 1950s, a publishing company that eventually became Claire Music and was acquired by Alfred Music Publishing. In retirement, he turned to symphonic composition with Carl Fischer Music Publishers and later served as conductor, arranger, and composer for the Florida Mandolin Orchestra. A painter who studied at the Art Students League in New York, Small remained active in ASCAP and AFM Local 802 throughout his career until his death in 1998.

Why we love this

Small's transcriptions honor the essence of each original work without asking pianists to navigate unnecessary technical barriers. For intermediate players, this means 25 substantial pieces that sound complete and rewarding while remaining genuinely playable in a single volume.

What to expect

A carefully curated museum of classical masterworks that remains intimate and pianistic. Each piece feels like it was born for the keyboard, its textures singing naturally under the hands rather than straining after orchestral effects.

Who it's for

Intermediate pianists who want to explore canonical works without the technical demands of original solo versions. This collection suits recital programs, studio repertoire libraries, and pianists returning to consistent practice after time away.

How to get the most out of it

  • Balance melody and accompaniment by listening to the full harmonic context, not just the top line. These arrangements distribute thematic material across the staff to preserve orchestral color.
  • Maintain steady pulse through the arranged sections where Small has simplified figuration. Consistency matters more here than virtuosic freedom.
  • Pay attention to dynamic markings as structural signals. Small uses them to clarify which voice carries the musical argument at any given moment.

How to use it

Draw from this collection to build recitals that span periods and styles, or select a single piece as an elegant interlude between larger works. For studio teachers, it provides intermediate students with 25 entry points into the repertoire they've heard but not yet played.

Skills your students will build

  • Voicing and balance in keyboard texture
  • Shape and structure in arranged classical forms
  • Reading multiple layers of musical information across two staves
  • Tasteful interpretation of simplified accompaniment patterns
  • Familiarity with major classical works through direct performance

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