The Circus Bee March Cover Image

The Circus Bee March: Concert Band Conductor Score & Parts

$80.00 USD
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The Circus Bee March Cover Image

The Circus Bee March: Concert Band Conductor Score & Parts

By Henry Fillmore / arr. Loras John Schissel

Grade: 4

Item: 36-10100495

$80.00
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Description
One of the greatest 'screamers' (circus marches) of all time and a favorite of Merle Evans, The Circus Bee, like Fillmore's Rolling Thunder is a real challenge for the low brass. Meticulously edited, this is an important addition to concert band libraries.

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Additional Details
Series: Heritage of the Concert Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 679360701553
SKU: 36-10100495
Instrumentation: Symphonic Band

More about this title

About the Composer: Henry Fillmore

Henry Fillmore (1881-1956) was an American composer and conductor who defined the circus march genre and became one of the most prolific march writers of the early 20th century. His works for brass band and concert band were embraced by circus performers, military bands, and school ensembles alike, earning him recognition as a master of the idiom alongside John Philip Sousa.

Why we love this

The Circus Bee stands as one of Fillmore's most virtuosic marches, and this meticulously edited score captures the authentic orchestration and the relentless technical demands that make it legendary. The low brass writing is genuinely exposed and challenging; there's no hiding poor technique or intonation, which makes this both a powerful teaching tool and a guaranteed audience thriller.

What to expect

A propulsive, high-energy romp full of swagger and brilliance. The march charges forward with the infectious energy of an actual circus parade; when the low brass lock into their signature figures, it's relentless and exhilarating, demanding absolute commitment from every player.

Who it's for

Concert bands at the intermediate-advanced level (Grade 4) with strong low brass players who can handle sustained solos with confidence and rhythmic precision. This is essential programming for ensembles ready to tackle authentic Fillmore and showcase the technical capabilities of trombone, tuba, and baritone sections.

How to get the most out of it

  • Establish a rock-solid tempo from the downbeat. Circus marches live or die by their forward momentum; any hesitation in the conductor's pulse will expose ensemble uncertainty immediately.
  • Balance the low brass solos with clarity and projection. These passages are not background figures; they deserve the same articulate precision you'd demand from a trumpet solo.
  • Mark all breathing points clearly in the parts and conduct them together. The tight ensemble passages require collective air management to maintain phrase shape and prevent dragging.
  • Drill the rapid articulation passages in the ensemble sections separately at half tempo, then gradually increase to performance speed. Accuracy at this tempo is not instinctive.

How to use it

Program The Circus Bee in a pops or all-marches concert where it can anchor a set of early American march literature. It pairs naturally with other Fillmore works or contemporary marches and provides a perfect centerpiece for showcasing your band's brass prowess without requiring complex interpretive choices.

Skills your students will build

  • Executing rapid, accurate articulation under tempo pressure
  • Sustaining solo passages with confident intonation and projection
  • Coordinating ensemble breathing and phrasing across full band
  • Reading and performing the conventions of early 20th-century march style
  • Managing sustained low brass color and balance within the full ensemble

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