Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Christmas Waltz: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
Jump straight in and assign it today.
Open this title and explore the full library in minutes.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Jule Styne
Jule Styne (1905, 1994) composed for stage and screen with remarkable versatility, writing melodies that became standards across musical theater and film. His gift for crafting singable, memorable lines made his work immediately accessible without sacrificing sophistication, a balance that translates beautifully to concert arrangements.
Why we love this
Brubaker's orchestration captures the elegant, unhurried character of this waltz while keeping the arrangement accessible for Grade 2 ensembles. The flexibility to perform with full orchestra or strings alone makes it practical for different rehearsal schedules and concert settings, and that brush drum part adds authentic style without requiring a specialized percussionist.
What to expect
Elegant and unhurried, with the warmth of a classic holiday carol recast in three-quarter time. The waltz rhythm gives familiar music a sophisticated, almost ballroom quality that feels fresh even in a concert setting.
Who it's for
Grade 2 orchestras looking for recognizable repertoire that doesn't talk down to players or audiences. Directors wanting a single piece that works equally well in a full orchestra or string-only setting will find this arrangement especially practical.
How to get the most out of it
- Balance the melody line across your first violins and first woodwinds; this tune deserves to sing, so resist the urge to let accompaniment voices cover the tune.
- If performing with strings alone, the drummer with brushes becomes your rhythmic anchor, establish a clear, relaxed tempo together before rehearsal and lock that in early.
- Shape the phrasing across the full two minutes; treat this as a concert piece with gentle dynamic contours rather than a novelty arrangement.
How to use it
Place this in a holiday concert to bridge classical and popular music repertoire, or use it as a seasonal opener that sets an accessible, joyful tone before moving into more demanding work. The two-minute length makes it ideal for pops concerts or mixed programs where you need something polished but not time-intensive.
Skills your students will build
- Sustaining long melodic lines across phrases in three-quarter time
- Balance between melody and accompaniment textures
- Executing brush technique (percussion)
- Stylistic interpretation of a waltz rhythm at moderate tempo