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The Christmas Suite Collection: Piano Book

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The Christmas Suite Collection Cover Image

The Christmas Suite Collection: Piano Book

Arrangements of Holiday Favorites for Solo Piano

Arranged by Sharon Aaronson, Dennis Alexander, Cindy Berry, Tom Gerou, Joyce Grill, Victor Labenske, Mary K. Sallee, and Robert D. Vandall

Level: Intermediate / Late Intermediate

Item: 00-33471

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Description
Celebrate the special moments of the season with these unique collections of holiday carols by Alfred's favorite piano arrangers. Titles: The Christmas Angels: Angels from the Realm of Glory * Angels We Have Heard on High * Hark! the Herald Angels Sing (Dennis Alexander); Christmas Bells: I Heard the Bells on Christmas Day * The Bells on the Sleigh to Grandma's House [Over the River and Through the Wood / Jingle Bells] * Bells Are Ringing [Ding Dong Merrily on High / Ring, Little Bells] (Mary K. Sallee); The Christmas Manger: What Child Is This? * Coventry Carol * Away in a Manger (Tom Gerou); The Christmas Shepherds: How Great Our Joy * It Came Upon the Midnight Clear * The First Noel (Victor Labenske); He Is Born!: Good Christian Men, Rejoice * What Child Is This? * Polish Lullaby * Il est né (Joyce Grill); A Jazzy, Jolly Christmas: Up on the Housetop * Jolly Old St. Nicholas * Jingle Bells (Victor Labenske); The Nativity: Still, Still, Still * Lo, How a Rose E'er Blooming * Joy to the World (Cindy Berry); The Three Kings: March of the Three Kings * We Three Kings of Orient Are * O Come, All Ye Faithful (Robert D. Vandall; Three Moods for Christmas: Carol of the Bells * What Child Is This? * We Wish You a Merry Christmas (Sharon Aaronson).

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Additional Details
Publisher: Alfred Music
Page Count: 96
ISBN10: 0-7390-6272-7
ISBN13: 978-0-7390-6272-2
UPC: 038081372525
SKU: 00-33471

More about this title

Why we love this

This collection stands out because it pairs recognizable holiday melodies with inventive piano arrangements that move well beyond simple block chords. Each suite offers a distinct musical identity (jazzy, reverent, lyrical, festive) while keeping the writing accessible enough for intermediate players to feel confident performing them.

What to expect

Warm and nostalgic with bursts of joy. The collection moves between quiet, intimate moments (Still, Still, Still; the Coventry Carol) and brighter, almost danceable arrangements that capture holiday energy without losing musical substance.

Who it's for

Intermediate and late intermediate piano students preparing for holiday recitals or seasonal performances. Teachers looking to build a varied winter program that offers both reverent carols and upbeat arrangements without jumping to advanced difficulty.

How to get the most out of it

  • Pay attention to the stylistic markings within each suite. The Nativity calls for a different touch than A Jazzy, Jolly Christmas; let those textural cues shape your pedaling and voicing choices.
  • When medleys combine multiple carols, listen for thematic bridges and transitional passages. These are often where arrangers have added their signature touches, so honor the details.
  • Approach the syncopation and jazz inflections in A Jazzy, Jolly Christmas with a relaxed, swinging feel rather than a metronomic one. That rhythmic freedom is what gives those arrangements their character.
  • Balance the accompaniment figures in Christmas Bells so the melody sits clearly without forcing it. Many of these arrangements use busy left-hand patterns that need restraint.

How to use it

Select individual suites to anchor different sections of a holiday recital: open with The Christmas Manger for reflective beauty, add A Jazzy, Jolly Christmas for an upbeat centerpiece, close with Joy to the World from The Nativity. Or pull single arrangements throughout the season as students reach each one in their practice schedules.

Skills your students will build

  • Interpreting varied stylistic approaches to familiar melodies
  • Managing syncopation and swing rhythms in jazz-inflected arrangements
  • Balancing independent melodic lines with active accompaniment patterns
  • Reading and executing pedal markings effectively across different textures
  • Performing medley transitions smoothly

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