The Christmas Dreidel Cover Image

The Christmas Dreidel: String Orchestra Conductor Score

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The Christmas Dreidel Cover Image

The Christmas Dreidel: String Orchestra Conductor Score

Featuring: Christmas Is Coming, the Goose Is Getting Fat / The Dreidel Song

Arr. Rick England

Grade: 2.5

Item: 00-35983S

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Description
At my friend's house, they celebrate both Christmas and Hanukkah. Now you can too, with the same piece of music. Two traditional seasonal songs, "Christmas Is Coming, the Goose Is Getting Fat" and "The Dreidel Song," are combined. Discuss with your students some of the compositional techniques (imitation, augmentation) or tonalities that are used to fit these two tunes together. The many teachable moments make this a blast to teach and play!

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 12
UPC: 038081414959
SKU: 00-35983S

More about this title

Why we love this

Rick England's arrangement turns a potential programming challenge into a genuine teaching opportunity. By weaving two beloved seasonal melodies together through imitation and augmentation, he creates a piece that works musically while inviting your students to analyze real compositional craft. The result feels both cohesive and celebratory, making it a natural choice for orchestras seeking repertoire that honors multiple traditions.

What to expect

Warm and playful, with the gentle charm of two familiar songs recognizing each other across the ensemble. The interweaving creates moments of clever dialogue between sections, while the fuller passages shine with the simple joy of traditional melodies. There's a genuine spirit of inclusion here, not tokenism.

Who it's for

String orchestras at the Grade 2.5 level looking for accessible winter repertoire that teaches something substantive. Directors who want their students to engage with compositional analysis during rehearsal, not just play notes. Ensembles serving diverse school communities where programming both Christmas and Hanukkah traditions matters.

How to get the most out of it

  • Listen carefully to how the two melodies interlock in the upper voices. Precision in the violin entrances will make the imitative passages land clearly.
  • Balance the texture when both tunes appear simultaneously. The melody that carries the primary narrative should emerge while the other provides harmonic and contrapuntal support.
  • Use the conductor score to map where augmentation occurs (stretched note values). Rehearse those transitions deliberately so the rhythmic shift feels intentional, not accidental.
  • Bring energy to the faster sections and allow the augmented passages to breathe. This contrast will showcase the compositional techniques you've discussed in rehearsal.

How to use it

This works beautifully as a centerpiece for a winter concert that genuinely represents your school community. Program it alongside other seasonal pieces to create a program that feels intentionally crafted rather than generic. The 12-page score makes it manageable for mid-year rehearsal schedules, and the pedagogical meat makes it worth the teaching investment.

Skills your students will build

  • Identifying and following imitative texture (same melody entering in different voices at staggered times)
  • Recognizing augmentation as a compositional device (note values stretched to create variation)
  • Balancing independent melodic lines while maintaining ensemble cohesion
  • Adjusting dynamic balance when two tunes sound simultaneously
  • Executing rhythmic transitions cleanly when augmented passages shift the pulse

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