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The Chord Scale Theory & Jazz Harmony: Book

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The Chord Scale Theory & Jazz Harmony Cover Image

The Chord Scale Theory & Jazz Harmony: Book

By Barrie Nettles and Richard Graf

Item: 01-ADV11216

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Description
Jazz harmony, as taught at the Berklee College of Music, is based on the so-called "chord scale theory." This method---further developed---is now available as a comprehensive textbook for the first time---The Chord Scale Theory & Jazz Harmony by Barrie Nettles and Richard Graf. Emerged from practice and designed for practical use, it provides theoretical knowledge necessary for improvisation, composing, and arranging.

Titles: Introduction * Harmonic Structures * Diatonic Harmony * Dominant Chords and Diatonic Function * Minor Key Harmony * Blues * Diminished seventh Chords * Dominant Chords with Special Functions * Modal Interchange * Voicing Specific Chord Symbols and Structures * Modulations * Modal Systems * Nonfunctional Harmony * Introduction to Arranging.

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Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-892210-56-X
ISBN13: 978-3-892210-56-6
UPC: 805095112160
SKU: 01-ADV11216

More about this title

About the Author: Barrie Nettles

Barrie Nettles is a composer, educator, and jazz theorist whose work at Berklee College of Music shaped how generations of musicians understand harmony and improvisation. His approach to chord scale theory bridges the gap between academic rigor and practical application, grounding abstract harmonic concepts in the real decisions improvisers and arrangers face in the studio and on the bandstand.

Why we love this

This book cuts through the mystique of jazz harmony by presenting a systematic method that actually works in practice. Rather than collecting rules, it teaches you to think like the musicians who built jazz, making the leap from understanding chords to using them creatively feel inevitable rather than impossible.

What to expect

Opening this book feels like gaining access to a musician's thinking process rather than just a list of rules. The writing is direct and grounded; concepts build logically from simple to complex, and throughout you sense the authors writing from decades of actual experience in jazz.

Who it's for

This book serves serious jazz students, improvisers working toward independence, and arrangers who need a coherent harmonic vocabulary. It works equally well for self-study and classroom use, particularly for musicians ready to move beyond lead sheets to genuine harmonic understanding.

How to get the most out of it

  • Work through the harmonic structures chapter before attempting the voicing section. The foundation matters; without it, voicing exercises become mechanical.
  • Apply each new concept to tunes you already know. Once you understand modal interchange, go back to standards in your repertoire and hear where composers used it.
  • Spend real time on the blues chapter. Blues harmony appears everywhere in jazz, and this section gives you the vocabulary to improvise and arrange with confidence.
  • Use the modal systems section as reference material during transcription work. When you're learning a solo and the harmony shifts, this chapter helps you identify what's happening.

How to use it

Assign this as a core text in jazz history or improvisation courses where students need to understand the harmonic language they're learning to speak. It also works as a self-directed study resource for ensemble directors who want their jazz combo members to develop real harmonic literacy alongside their playing.

Skills your students will build

  • Chord scale relationships and how to match scales to harmonic function
  • Diatonic and non-diatonic harmonic analysis in jazz contexts
  • Voicing strategies for specific chord symbols and extensions
  • Harmonic modulation techniques and modal interchange
  • Foundational arranging and reharmonization choices
  • Blues harmony vocabulary and improvisation approaches

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