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The Chase: String Orchestra Conductor Score

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The Chase Cover Image

The Chase: String Orchestra Conductor Score

By David Shaffer

Grade: 3

Item: 98-ST6111S

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Description
This clever work introduces a melody that is "chased" around various sections of the ensemble using different performance techniques. Easy-to-achieve harmonics add flair as your group tears through a whirlwind of styles in continuing pursuit. Eventually, the work calms, only to surprise the audience with a final solitary outburst. Lots of fun!

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444550762
SKU: 98-ST6111S

More about this title

About the Composer: David Shaffer

David Shaffer has built a reputation for writing accessible yet imaginative works for student ensembles. His compositions balance technical clarity with genuine musical substance, making them favorites among directors who want their students challenged without feeling overwhelmed.

Why we love this

The Chase works because it keeps every section engaged through intelligent orchestration. Rather than sitting idle, violins, violas, and cellos trade the central idea back and forth, each adding new textural colors. Contest judges and audiences both respond to the structural clarity and sheer musicality packed into a Grade 3 arrangement.

What to expect

A spirited game of tag played across the orchestra, brimming with playful energy and sudden mood swings. The textural variety and unexpected finale create a piece that holds attention from first note to last.

Who it's for

String orchestras at the intermediate level looking for a piece that combines accessible technique with genuine entertainment value. Works equally well as a concert opener or festival selection where you want to showcase both musicianship and personality.

How to get the most out of it

  • Establish the opening melody with confidence in whichever section carries it first; the idea only lands if that initial statement is rock solid before being handed off.
  • Natural harmonics sound clearest when players use a light bow with minimal pressure and place the contact point slightly closer to the bridge than usual.
  • Vary the character as the melody passes between sections rather than playing each entrance identically. Violins might be bright; violas could be warmer; cellos, more grounded.
  • Don't rush the final calming section just because the preceding material moved quickly. Let the temperature drop genuinely so the closing outburst lands with real surprise.

How to use it

Open a concert with this to establish an energetic, welcoming tone for the audience. Its compact length and high engagement factor also make it ideal for a festival or competition where you want students to finish strong while leaving judges with a memorable impression.

Skills your students will build

  • Executing natural harmonics with clarity and intonation
  • Following rapid melodic shifts between sections
  • Balancing ensemble sound while maintaining individual responsibility
  • Responding to quick style changes and dynamic contrasts
  • Ensemble precision at brisk tempos

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